December 5, 2018 by Gilgemesh

Did the Crust of the Planet Turn?

Symbol of Hermes.

Is it possible the Earth’s crust can move as Charles Hapgood described in his 1970 book “The Path of the Pole?

If it had happened, wouldn’t we have ancient records? And if it had happened, wouldn’t our scientists have already proven that it can!

We must remember that as recently as the 1960’s we were building space rockets to the Moon before we knew whether it’s craters were dried lake beds, the result of volcanic eruptions, ice, or meteor impact sites.

What if … ancient records exist but we just can’t read them?

What if… the truth behind the great legends is simply that all life on Earth hung in the balance in very recent human history? Did these memories foster the myths of the gods?

Venus-of-Schelklingen

A lot of time has been spent deciphering old art in previous posts. The point was to demonstrate that there still exists a great historical record of the events associated with a great comet impact and a crustal displacement as described in “A Planet Most Miraculous: The Mechanics of Earth’s Rotating Crust.”

The Greek god Hermes represents swiftness and today this ancient symbol (shown above) represents medicine. But what did it originally mean? Look at it closely. Exactly what does it depict?

Prior posts have shown there are key elements in ancient art which demonstrates there was a continuous desire to perpetuate a core set of ideas. Today these ideas are identified as religions composed of myths. We seldom, if ever, attribute the purpose of religion to… the preservation of Earth’s history and its measurements. If religion’s original true nature was basic Earth science, then ignorance, both then and now, has fostered the myths of gods.

Does the symbol of Hermes above tell us a double comet impacted Earth at the former pole?

Does the Venus of Schelklingen tell us a double comet decapitated mother Earth?

If only they had spelled it out clearly!!! Or did they?…….

Previous posts about Earth’s magnetism

April 8, 2017 by Gilgemesh

Ancient Riddles to Test Our Wits: DaVinci’s Last Supper

Leonardo da Vinci’s painting of the Last Supper in Santa Maria delle Grazie painted in 1498. Wikimedia, public domain.

Another ancient riddle presents itself in this fabulous and famous painting of the Last Supper by Leonardo da Vinci. It is well known he was involved in secret societies. Is he revealing any secrets in this painting?

Note the following possible symbolism:

The figure of Jesus creates a vertical triangle.
The empty space to his right creates an inverted triangle.
The man to his left is pointing upwards with his right hand.
The feminine figure on Jesus’ right has a disembodied left hand slicing across his neck suggesting beheading.
All the cups on the table are made of clear glass making them difficult to see.
There is a large dish in front of Jesus central to the image.
The image is painted and centered over a door.
The window behind Jesus has an arch painted over it.
The painted ceiling is a grid of 36 squares.
The disciples are grouped 3 and 3 on each side. There are 3 windows on the back wall and 3 pillars on each side.

A closer examination of the Last Supper reveals clues to da Vinci’s knowledge of long held secrets.

Perhaps some meaning can be affixed to this possible symbolism.

- Are the cups on the table nearly invisible because they are not important to the real story?
- Is the grid work the man points to on the ceiling supposed to represent longitude and latitude lines?
- Are the 36 squares supposed to suggest the 360 degrees of a circle?
- Are the repeating 3’s used to suggest 33? Is this the 33 of Scottish Masonry or is it latitude from the North Pole which is 57 degrees north latitude where Hudson Bay lies?
- Is the arch above the highest window the Nastapoka Arc of Hudson Bay where it appears a massive comet impacted?
- Is the dish central to the image and over the door to indicate it is a large round opening?
- The up and down triangles are seen in the Grave Creek Stone below. The symbolism is also seen in the letter N and in the first Hebrew letter aleph which is essentially an N as well.
- Is he saying the ‘central mountain’ ‘went in’ to a ‘disc shaped hole’ with a pronounced arc?
- Does all this imply it was mother Earth itself that was beheaded?

Note the similarities to other ancient art studied in previous posts as shown below.

Copy of stone found at Grave Creek Mound, West Virginia, Ohio River. The middle column depicts the up and down triangles.

Shaman Bear from Newark Mounds, Newark, Ohio. The man holds a decapitated head on his lap.

Assyrian Relief, Detail of Cup, Brooklyn Museum. The dish on the center of the table like the dish in the relief seems to be central to the topic.

Gaitskill Stone Tablet from ancient Ohio showing grid and pole at top.

Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia. The man points up with his right hand and his left hand is held low.

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April 18, 2016 by Gilgemesh

It Rained Arrows from the Sky

Largest “float copper”. A mere 28.2 tons. Or is this a piece of the Comet Baal? Photo by Lucy Hough

The last post about Hudson Bay as a comet crater was an excerpt from the full article, “A Planet Most Miraculous: The Mechanics of Earth’s Rotating Crust,” which is about the Earth’s unique construction.

A comet that leaves a crater 1000 x 400 miles long must leave remnants behind which is exactly what we see in these images.

This comet was the likely source for the vast amount of pure copper mined out of Michigan thousands of years ago. It also explains the origin of the tradition of copper rings found in ancient American burials and even in European history as seen in the story Beowulf.

The copper shown here is a mere 28.2 tons and the museum piece is 34 tons.