© 2014 B. L. Freeborn
The Gaitskill Stone Tablet is assumed to be an image of a spider. The similarity to an insect is obvious with the legs and the large round abdomen. It was found in Mt. Sterling, Kentucky around 1920. It is dated to 500 BC to 200 AD.
In order to study it we have to turn it right side up and once we do we see some rather familiar features. The ‘wa’ (Luwian (La Angle) Symbol #439) is center bottom with its bold feature and two round circles. The line in this glyph serves dually as sound ‘i’ (glyph 209) which when sounded out gives us wa-i or very much ‘why’.
In previous posts it was suggested this is the north pole or polar axis from which all measures of longitude and latitude are taken today. Here depicted very clearly is just that. The pole stands atop a grid of hash marks 3 x 3 wide. This gives us 33 and 9. It also gives us 93.3. The hash mark symbol appears in the glyph repertoire as #224 with sound ‘ha’ or ‘pa’. Pa gives us the first syllable of both power and pole. Ha gives us ‘heah’ in Old English which means high. Both terms indicate importance and surely the seat of measurement is extremely important.
On top of the pole are three joined triangles which appear as scary teeth in one direction and a crown in reverse. This too appears in the Luwian (La Angle) glyph system as #231, Castrum, or ‘camp.’ This completes the message that this is the ‘home’ of the ‘po’ on ‘heah’ to which they ask ‘why.’ Despite sounding blatantly Angle it also sounds accurate.
Before moving on, the 33 we have seen before but the 93.3 is knew. It brings to mind that the average distance to the Sun is 93 million miles. It would be remiss not to note a few more numbers. Does the north pole not sit at 90 degrees north latitude? Is this pole not positioned on a grid? If we count out the two circles and three triangles to the crown there is a reappearance of the number 23 32. The Arctic Circle ends at 23 degrees 30 minutes. The two circles are once again suggesting two positions for the pole with its two circles on each side of the vertical. So we have one obviously where it belongs in the north but where are they saying the other was? Could the answer lie in the 3×3 grid?
But the image continues.
Once the image is rotated it loses its spider appearance but still has two faces. The upper face has angry eyebrows, two teardrops for eyes and a dot in the middle of the forehead as the Hindu’s wear. This reminds us of the Metcalf Stone with its initial symbol of a triangle. So here too we find the idea of one comet which split into two. If the expression is interpreted correctly, then it caused anger and weeping. The number 112 is easily found within this face again.
The overall exterior shape of this creature in stone has two straight bars on each side at the bottom. Above these are four flame or wing shapes. Two and four reminds us of the hours in a day. Topping this 24 pattern is the center round. If we begin with this center round as 1 and count around the image there are found to be 12 wings. 1 and 12 once again appears and 112 = 2 x 56. If we begin at the bottom and count upwards then we find 2,4,1 or 241. The square of 241 is 58081 which is another number to add to our list which suggests the distance Earth travels in a year or 584 million miles.
If we begin at the center round and count in either direction then we form 1 and 4 to create 14, the number of days in a fortnight. At the bottom the four bars remind us that 14 x 4 = 56.
The last two things to be noted are the similarity to the Luwian (La-Angle) glyphs for Flammae (flame) symbol #477 and Femina (woman) symbol #79 which is an oval. The eight exterior wings thus become flames around a central “woman” or place of origin. Taking this one step further, the straight lower bars taken across the figure become the glyph #384 in a shape similar to #388 which represents simply the number ‘two.’ In other words, the artist is describing a flaming comet which gave birth to two.
This image utilizes so fully the hieroglyphs in use in Anatolia Turkey in 1200 BC that we must pause to consider the possibilities this creates:
- The resemblance is purely coincidental.
- It is from Turkey.
- It was made in America by someone from Turkey.
- It was made in America by someone taught /descended by someone from Turkey.
- A third group of people created and inspired the art. They lived in Turkey in 1200 BC and Kentucky in 500 BC.
- The symbols express a common language both continents shared.
- North Americans traveled to Turkey and shared their language.
- The Scottish Picts who used the symbols in 1200 AD and the Ancient Irish who used the symbols in 3000 BC were somehow related to both the Turkish of 1200 BC and the North American of 500 BC and 500 AD … and the Egyptians of 2500 BC.
Or…. there is really something that is missing from our history books.
We continue on by looking next at the Low Tablet
Back to very first post on Adena Tablets
Previous Post on The Berlin Tablet
Hudson Bay as a comet crater of recent origin.