In prior posts the idea that ancient art describes the events of a great comet impact and an associated crustal displacement was discussed. The search for further support from ancient records then turned to language and in particular to one possible and pervasive religion that spread ideas and thereby its language.
This religion has to have existed over a broad span of time and a vast distance encompassing many peoples and environments. There is no reason to expect that the name of this religion was one and the same for all places in all times, just as Christianity presents under such vastly different names as Catholic, Anglican, Protestant, Baptist, Episcopal, Methodist, Church of Christ, etc. One might expect that this religion will also appear under different names.
Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia,
It is proposed here that the religion was that of Baal. Baalism has been touched upon many times in prior posts. It is very poorly understood today, if at all, and often attributed to only a small geographical region in the vicinity of Canaanite, particularly Ugarit.
However, place names suggest otherwise. Baalbek; Baltic Sea; Temple of Bel in Syria; Belluton, England; the Baltic States and region; Bel (Celtic god); Bel (Babylonian god); Bel, Iran; Bel, Romania; Baal described in the Old Testament; Baal, Netherlands; Baal, Belgium; Babylon of old, ……etc.
There are religious references such as Beltane in the British Isles, The Tower of Babel, and the Bible (when pronounced bi-baal). So, there is ample evidence that, whoever or whatever Baal was, belief in it was widely dispersed across time and place which makes it an ideal candidate.
Previous to Christianity there was Judaism. The Old Testament, which is a Judaic document, describes in I Kings 18 the killing of 450 priests of Baal, so Judaism did not develop in a vacuum. Baalism was evidently pervasive there and in other places. The art that has been reviewed throughout these posts was from a variety of cultures so it is impossible to affix one name to the religion. The religion shall be defined here as ‘Baalism’ simply because Baal seems to be a prevalent word.
Logically, the next goal will be a study of the Indo-European Language to see what can be learned. However! People have been doing that for 400 years. So, the path taken here will be an entirely different approach than has ever been tried before.
The next post ………….. will jump knee-deep into the unknown we know so very well!
Is it possible the Earth’s crust can move as Charles Hapgood described in his 1970 book “The Path of the Pole?
If it had happened, wouldn’t we have ancient records? And if it had happened, wouldn’t our scientists have already proven that it can!
We must remember that as recently as the 1960’s we were building space rockets to the Moon before we knew whether it’s craters were dried lake beds, the result of volcanic eruptions, ice, or meteor impact sites.
What if … ancient records exist but we just can’t read them?
What if… the truth behind the great legends is simply that all life on Earth hung in the balance in very recent human history? Did these memories foster the myths of the gods?
The Greek god Hermes represents swiftness and today this ancient symbol (shown above) represents medicine. But what did it originally mean? Look at it closely. Exactly what does it depict?
Prior posts have shown there are key elements in ancient art which demonstrates there was a continuous desire to perpetuate a core set of ideas. Today these ideas are identified as religions composed of myths. We seldom, if ever, attribute the purpose of religion to… the preservation of Earth’s history and its measurements. If religion’s original true nature was basic Earth science, then ignorance, both then and now, has fostered the myths of gods.
Does the symbol of Hermes above tell us a double comet impacted Earth at the former pole?
This stone with a Latin inscription was found in rural New York.
Another ancient riddle presents itself in stone. This one is also from rural New York. The very readable words ‘In camera’ are still used today. It is a legal term in Latin for behind closed doors or in secret. What secret does this stone hold?
Roman numerals were in common use until the 11th century when they began to be replaced by Arabic style. They persisted into the 15th century and in some instances are still used today. The numbers read: XLV = 45, XXX = 30, LXXV = 75, and LIII = 53.
Obverse side of stone with a Latin inscription found in rural New York. Numbers read 45 30 and 75 53.
What then do the numbers mean? Hint. Notice 30 + 45 = 75. When does 45 equal 75?
Perhaps in true ‘Da Vinci Code’ style the words In Camera are an anagram or in an entirely different language?
Find the words in italics on the front face:
Baal is the center of the rule that governs the world.
The eye marks the angle that divides.
The smoking rock struck deep into the mountain of ice
This piece from the Crespi Collection found during construction of the Airport in Cuenca, Ecuador is obviously related to the three stones shown below. In a previous post this stone was translated. Can it be determined if the other three are copies of this stone and if the copies were made relatively recently?
Using transliteration into Paleo-Hebrew circa 200 to 100 BC and Hebrew Letters as derived by J. Huston McCulloch in his study of the Newark Decalogue Stone from Ohio, the Elephant Tablets are translated with the aid of the Anglo-Saxon Language.
These copies of the elephant stone are believed to be from Burrows Cave which means their authenticity is in question. Read translation and comparison below.
These copies of the elephant stone are believed to be from Burrows Cave which means their authenticity is in question.
Compare the detail in the elephant and Sun. The Sun should appear as a dual reference to Baal’s crater as an origin. The Cuenca shows two eyes and lines radiating from a central O. The trunk of the elephant does not show the all important crater shape in any of the other copies. The back of the mammoth does not appear broken and in the eyebrow shape of Hudson Bay. This means the ‘copier’ was far removed from the significance of the detail, however, it does not mean they are forged.
The overall presentation on circular and chipped tile shapes is consistent with the story of Baal. The stones on the left and right appear freshly machined. And finally, the inscriptions in line 1 and 2 are different than the Cuenca but plausible. They read b-n-th and th-k, k-b, b-l or ‘beneath thatch cave Baal.’ The k-b can also be read as cab which means pole.
The letter ‘th’ in the first line is not reversed as in the Cuenca example which suggests two possibilities. The first is both lines are to be read left to right so the top would read th-n, n-b or ‘thin nib’ … ‘thatch cave Baal.’ The second possibility is the copier was unaware of why the ‘th’ was reversed in the first line and corrected it. The lifespan of the copier cannot be determined by this difference just that he might have thought it was an error in the original. The middle stone’s N (center of first line) is truer to the Paleo-Hebrew style then the other two suggesting it is an original or a more exact copy of another original with evidently valid lettering.
Lastly, note the facing C’s in the middle line of all four copies. These were seen in other tablets from Ohio and in art from Knowth, Ireland. Previously, using Luwian glyphs the meaning Great Origin or Mighty Crater was derived from this pattern. It also leads one to another translation of the middle line. If the ‘Th’ stands alone to represent ‘the’ and the C is the Luwian symbol for ‘great’ then the last two letters spell b-l. This then reads ‘The Great Baal’ which is totally plausible and in line with ancient wit to use two languages/alphabets within a text (as academics still do today) and two meanings within the same line.
Old and real? New and fake?
Or is it more likely… these are copies of secreted away originals?
In this piece from the Crespi Collection found during construction of the Airport in Cuenca, Ecuador….find the words in italic:
The angle to the Sun is measured in the land of Mammoth’s.
They thundered and lived at the top of the world.
Remember the Mammoths of old.
It reminds us by its nose of the snake which came to the two eyed–radiating center,
by its curl of the cup which is now there,
by its pounding walk of the beating Earth took,
by its tusks of the stabbing Earth endured.
Earth’s back was broken and bears the two bows of Baal.
The cup is now mouth to the world
which helps divide it in an orderly fashion to the peak.
Count it 5, 4, 3, 2, 1.
By identifying the letters as Paleo-Hebrew (Phoenician) circa 200 to 100 BC and Hebrew Letters as derived by J. Huston McCulloch in his study of the Newark Decalogue Stone from Ohio, the Elephant Tablet is translated. The language used to aid with the translation is Anglo-Saxon. The stone reads in Boustrophedon style:
Where the Mammoth’s lived….
The bed of death is where the beating made a cave. There dwells the lamed mechanism.
There lies the dish that tipped the top and shagged all.
Translation of the Cuenca Elephant Tablet using Ohio Decalogue Stone Style – Hebrew. The bottom line is read then rotated and read again.
This continues in the next post with a comparison to other elephant stones……………
See full article on the alphabet by J. Huston McCulloch at:
In the last posts we looked at the overall layout of the Newberry Tablet and many symbols. The list has grown and the reading is completed here.
The symbol identification thus far has suggested the topic of the tablet is a double comet collision and its crater was to be a point of reference for future measurements. The remaining symbols should support this story.
The last of the study comprises 15 symbols. The remaining symbols are left for the reader to identify. There is one symbol that resembles the ‘Q’ of the Paleo-Hebrew alphabet. It is suggested it represents cue or to line up, or quay, the place where ships line up. Since cows walk in a line and the Old English word for cow, spelled cu, is very similar the symbol perhaps means to line up and/or skin, an important by product of cows.
The symbol similar to a rectangle is found in the Luwian symbol list #89 and has sound value ‘tu.’ This is very similar to the word tow and is so noted.
The symbol that is a square divided in half is always followed by the symbol that looks like a ‘Y’. Both symbols are extremely similar to the ‘ch’ and ‘vav’ of the Paleo-Hebrew Alphabet. Substituting the sounds ‘ch’ and ‘w’ into the table find the word ‘chew’ repeated four times. This word is also an original Old English word.
The circle with a hook on top is found in the Luwian Glyph list at #435 with sound ‘a’ and is noted in the table as crater/hook.
The symbol that looks like a large curling ‘e’ most likely means ‘turn’ since the Adena Tablets and the New Hampshire Mystery Stone included this idea. It is so noted in the image.
The symbol that is the cup with a dot in the middle and a small stroke at the top is translated by understanding that in Luwian Hieroglyphs the small stroke added to another symbol is an ‘r’. This gives us an eye-r-cup or perhaps ‘ire cup’ and is so noted in the table.
Newberry symbols replaced with proposed meanings. See images below and text for more information.
It took some time to identify the symbol first row, fourth from the right and the symbol in the sixth row second from the right as being related to each other. The latter is found in the Luwian glyph list at #506. It is also found in Assyrian art and Olmec art described in a previous post as the odd little purse. The glyph list notes it as having sound ‘hana.’ In Old English this word means boundary stone. The symbol in the first row combines it with a ‘cup’ so that the distorted ‘B’ shape is created. They are noted in the chart as boundary and cup/boundary.
The symbol in the second row third from the right is similar to a reversed ‘e’ with an extra mark below it. In fact it appears to be an ear. In Old English the word ‘ear’ besides meaning ear means wave or flood. The association no doubt arises because of the whirlpool design of the ear. It is noted as ‘flood’ in the table.
Since many of the symbols are similar to Paleo-Hebrew perhaps the cup that is upside down and upon an upstroke is the letter ‘ts’. The words ‘toss’ or ‘tease’ is essentially defined by this sound. The similar symbol that combines the former symbol with a short stroke is then ‘ts’ and ‘r’ and is actually closer to the Paleo-Hebrew ‘ts’. This then sounds out the word ts-r or tesserae and is so noted in the table. This word means a small square tile.
The hook or staff studied in previous posts can now be associated with Paleo-Hebrew ‘P’ which begins such words as pea, power, pole, and point. The ‘P’ has been added to the table.
The symbol in the first row fifth from the left that appears to be a triangular ‘e’ with a large side stroke reminds one of the Paleo-Hebrew ‘B’ with the Luwian ‘r’ added. This gives the word b-r which suggests the word bear as in direction and it is noted in the table as bearing.
The Newberry Tablet’s translation.
The triangle with the stem suggests the Paleo-Hebrew ‘R’. It might have a side stroke as seen in the ‘bearing’ symbol. It is noted in the chart as ‘ray.’
The last symbol identified here is the circle with the two side strokes like antennae and the dot in the middle. The Paleo-Hebrew letter Ayin or ‘A’ is a circle. The dot supplies eye or sound ‘i’ and the two strokes give two r’s. So then we have r for ray, an eye, and a-r. The latter suggests the Old English word ‘or’ which means origin. It is noted in the table as ray-eye-origin.
So then, the table provides short readable sentences. The first line perhaps reads: The battle at the cup where lays the noble bearing is the to/from boundary. The cup is the dead pole and the eye.
Continue to line two and read: Many here caused the flood. It was the powerful ruler that was chewed. It is Baal’s line at the angry wandering cup …(unknown term).
In other words they say: There was a comet impact. It is the crater at magnetic north. Here is the reference boundary for longitude. The crater is the former north pole and the eye of the comet.
Many comets here caused a flood. It was the north pole that was destroyed. It is the longitude of the double comet’s (Baal’s) crater that….
The remainder of the table can be studied at one’s leisure.
In the last posts we looked at the overall layout of the Newberry Tablet and many symbols. The list has grown and we push to completion of this project by looking at twelve symbols in this post.
The symbol identification thus far has suggested the topic of the tablet is a double comet collision and its crater as a point of reference for measurements. This suggests the remaining symbols should support and complete the story. Note the parallel line symbol in the first row and the cross hatching symbol that ends the fifth. Note the circle with two lines through it that ends the seventh. These suggest that the double comet arcs of Hudson Bay are to represent a reference point for longitude and latitude. Signs associated with this concept are studied here as well as another two groups of signs.
The second and third groups require an understanding of the symbols as pictographs that would have meaning even today. The first symbol in the third row down uses an upstroke to elevate a cup symbol. Next to it is a symbol that can be described as a P on a line. Perhaps the upstroke means above or heavenly, and the horizontal line simply represents – on the surface of the Earth. With these ideas the study continues.
We begin with the parallel lines in the first line and suggest it means to/from which is found in the glyph list at #221 except they used curved lines. Keep in mind that the two parallel lines may simply mean two or equal distance. They may also suggest lines of measure.
The circle with the set of parallel lines continues the idea and perhaps means specifically either longitude and latitude or both and/or the measurement of such.
Similar to this is the two lines with the horizontal mark found in the center of the fourth line from the bottom which suggests either two or perhaps measure and is so noted below.
The cross hatching symbol suggests a grid or the longitude/latitude net of the Earth.
Although not identical the symbol compared to the Luwian glyph meaning ‘above’ is similar to the symbol found at 3,1. Compare it to the symbols for ‘ma’ #110 and ‘thousand’ #400 and the second symbol from the table found at 2,1. (See diagram below.) The word ‘ma’ in Old English means ‘more.’ The position 3,1 suggests the value of Pi = 3.14 and is a number superior to all others as it relates the diameter to the circumference of a circle. The number 2,1 suggests two came from one which is an essential part of this historical story.
Interestingly, Luwian glyph #91 is said to mean rotate/scale/foot. It is compared to the glyph found in the third row, third position and is shown below. It appears to be two shoes and a hook suggesting rotation. Note they are located at grid positions 3,3; 8,4; 10,6 and most notably 7,9. The 33 and 79 stand out immediately as the 33 degree latitude change of the pole and the diameter of the Earth at 7920 miles. The location of Hudson Bay is just west of the 79 degrees. But the other two numbers even in reverse are not of much importance. However! If one counts their position from the opposing corner (bottom right) then the two positions 7,7 and 5,6 are counted out. The latitude of Hudson Bay is 56 and the return period of Halley’s Comet is 76 to 77 years. This then correlates well with the proposed topic of the tablet and to the idea of scale, rotation and foot as found in the Luwian glyph #91.
The staff is found in glyph #378. The associated symbol was used three times on the tablet and suggests a staff stuck in the ground. The symbol is found at 3,2; 11,3; and 12,6. The last when counted from the bottom is 3,5 or from the opposite side as 3,6. The first suggests 32 or the expression of 56.56 as its square. 113 is twice 56.5 and 12 and 6 suggest the base number system of measurement of longitude and latitude which is counted in units of 60 (seconds and minutes). The 3,6 position repeats this idea. The symbol next to the bottom P appears to be a slanted version so it may also be the same symbol but is not so noted here.
Glyph #199 is said to mean ‘thunder’ and is very close to the symbol found at 4,3.
Glyph #41 means ‘take’ and is close to the symbol in the table at 14,2 and mirrored at 14,8.
Glyph #209 with sound ‘i’ appears to be the same as shown in the table and is taken to mean pole or eye. It is found notably at position 4,4. Counting from bottom right it is position 11, 7 and from bottom left it is at 11,4. The multiplication of these pairs gives 77 and 44. The 77 was just discussed and the 44 repeats the position 4,4. Recall that the circumference of the planet divided by 44 is 565 miles. This number was just discussed as the square root of 32. One should also recall the numerical spelling of the Hebrew god Yahweh is 5,6,5,10 or perhaps 56.5?
The reader should examine this ‘i’ symbol closely and note there is a small horizontal stroke on the left upstroke. This may not be accidental. In the Luwian glyph system of writing this small stroke represents the sound ‘r’ and if the two sounds are combined we arrive at the word ‘ire’ which means today what it did in Old English except previously it additionally meant to wander. So this adds that now the ‘eye’ has ‘wandered angrily.’
Lastly, the symbol that looks like a backwards F is taken to be a sword or knife that stabs the ground and the idea repeats in the glyphs as seen in #278. The reader is left to explore its positions.
For your reference the Luwian Glyph list can be found linked here:
The associated words have been filled in and the tablet’s ideas are unfolding in this very complicated riddle and blending of ideas with Earth related numbers.
The next post should complete the symbols that can be identified!
In the last posts we looked at the overall layout of the Newberry Tablet and a few symbols.
In this post six symbols are studied: the glyphs found at the bottom corners, the cross, the symbol at 1, 3 and the similar symbol at 3,9. The last symbol to be studied combines the cup symbol found in the upper left corner with what looks like a bird foot print and is found at 10,10. There are two of the latter. The second is found at 14,5. It combines the idea of the cup with sound ‘ni’ with glyph #451 with sound ‘hur.’ This sounds remarkably like the word ‘hour’ and if the craters in Hudson Bay were used as the start line for longitude then the ‘hours’ of Earth’s rotation are marked off from this place. We should recall that the word ‘ni’ means ‘here, now, and/or upon us’ and is today spelled ‘nigh.’
This idea is repeated in the bottom left corner. There is a double loop with a line on top of it. It is a combination of glyphs #368 and #380 from the Luwian Glyph list. The double loop was determined to mean ‘evil’ which a double crater would certainly represent. This symbol would then repeat the idea of the line of longitude index point. It is used four times in the table.
Again the idea is reinforced by the symbol in the bottom right corner which is found in the glyph list at #17 and represents the ruler. This glyph is repeated five times in the table. So then the four corners, which should define the topic of the tablet, are: a cup (crater), an eye, a line at evil and the ruler.
The last three symbols are the cross which is used seven times and is found in the glyph list at #309. It likely represents the idea of ‘a place’ or ‘an intersection.’ The other two symbols are the upside down trident at 1, 3 and the related symbol that puts a hook on top of the glyph. The first symbol is #455 and has sound ‘la’ or we might say in both modern and old English it is the word ‘lay.’ The similar symbol combines this with the hook glyph #378. So, it expresses the idea of ‘laid with the hook’ or ‘at/by’.