What Strange Secret Lies Hidden Here?

Elephant Tablet found during construction of Cuenca Airport, Ecuador

Elephant Tablet found during construction of Cuenca Airport, Ecuador

© 2018 B. L. Freeborn

In prior posts the idea that ancient art describes the events of a great comet impact and an associated crustal displacement was discussed. Support from ancient records then turned to the written word and in particular to the Hebrew alphabet as a method for reconstructing the Indo-European Language.

The Hebrew Alphabet was discussed in these posts previously under the title “A Little Mystery Hidden in the Hebrew Alphabet.”

There are two things that are distinct about the Hebrew alphabet. Five of the twenty-two letters are associated with a pair called an end-cap because they are used at the end of Hebrew words. This makes a total of twenty-seven symbols. Secondly, the alphabet is called an abjed which means it has no vowels.

Additionally, each letter is also a number. The numbers associated with them are 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70 , 80, 90, 100, 200, 300 and 400. Some numbering schemes assign the higher numbers 500 etc. to the end cap letters.

The letters will be replaced by the Latin letters shown in the image for font convenience sake:

Key to the Hebrew Letters and the Latin Letter that will serve to substitute for it in this study due to font issues.

Imagine that all texts were originally written on clay tablets (or worse yet carved in stone) and someone had to collect the clay, make the tablets, write the tablets, bake the tablets and pity the poor soul who had to haul them from place to place. It is easy to conclude lengthy documents required great economy of lettering to facilitate this process and minimize the massive bulk.

With this in mind, in this reconstruction of the Indo-European language, each letter becomes an entire word or more precisely an idea. In contrast to tradition the ‘ea’, the first letter, will be taken to be a short ‘a’ or short ‘e.’ The letter Ayin, marked ‘A’, will be the long ‘a’ of English. The ‘I’ will be  a long ‘I’ or ‘Y’ and the ‘wf’ will be the four Latin letters: O, U, F and W. The multi-purpose ‘wf’ was either used to confuse the novice or was originally some word/sound forgotten with time but probably along the line of wouf or fouw. It is often associated with the sound ‘v’ as well which provides 5 sounds for the 6th letter and recreates the 5-6 noted in prior posts as being important. However, this study shows that over time the B took on the role for the ‘V’ sound of ‘wf’.

Also, contrary to custom each letter typically considered a consonant will automatically be assumed to be followed by a short ‘a’ or ‘e’ so that ‘b’ becomes ‘ba’ or ‘be,’ and ‘d’ becomes ‘da’ or ‘de’, etc.,  The difference between short ‘a’ and ‘e’ is of little importance since their actual pronunciation varies greatly with locality and time. In total contrast to the idea that this alphabet is vowel-less note this means there are certainly four ‘vowels’ depicted by symbols and one assumed to be present if one of the other four is not used.

These assumptions convert the Hebrew abjed alphabet to one with consonants and vowels much more like the modern Latin alphabet. The beauty of this is it removes the necessity of writing every ‘e’ which is still the most common letter used today and thereby substantially reduces the weight of each document written in clay. This is a worthy goal for book maker and reader alike.

Very soon we begin slowly defining the words associated with the individual letters to arrive at the twenty-two basic words/concepts of the Indo-European Language. After that many two and three letter words will be explored which will notably expand the vocabulary before some interesting ancient words are examined.

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Next post on another kerb stone. Next post on alphabet.

A Faithful Record of the Indo-European Language

A Bishop of the Catholic Church complete with ancient symbols.

A Bishop of the Catholic Church complete with ancient symbols.

© 2018 B. L. Freeborn

In prior posts the idea that ancient art describes the events of a great comet impact and an associated crustal displacement was discussed. Support from ancient records then turned to the possibility of a pervasive religion that spread ideas and thereby its language. It was suggested this religion was ‘Baalism’ and so the Indo-European Language must be the words used to convey its core ideas… as yet… not identified.

So begins a new search for the actual language, if it still exists. This new search will be divorced from previous well established notions of the Indo-European. In the end, at the very least, a very faithful record of the original Indo-European Language will, hopefully, be revealed.

One must remember that only preserved and translated languages are part of the Indo-European reconstruction developed by academics. Knowledge of languages never written and/or only written on perishable surfaces such as paper seldom survived to be included. Etruscan’s words still linger in limbo. Other languages may have errors in translation. One must assume large pieces of the trail are likely to be missing.

Where to begin?

Let’s start at the opposite end. Instead of at its beginning let’s look at where the language trail ends today. What part of it still strongly exists not diminished much at all by time?

Recall how one first learns to read.

Was step one the A of the alphabet? And then B? The alphabet is very durable. Indeed, we know alphabets tend to be derived from others. The Latin and Hebrew alphabets list letters in a serial order with many letters in the same order. Each letter of Hebrew is also associated with a number. This contributed to a sustained letter order. Today’s Hebrew script and Latin alphabet (used here) developed in a parallel manner from the same source known today as Paleo-Hebrew and Phoenician and in turn they were derived from Proto-Canaanite. (See chart below.)

There are a good many other alphabets all the way back to Luwian (4200 BC) and Sumerian (3500 BC) which have a grid style in common. These alphabets typically are laid out in a table with consonants vs. vowels such as: ca, ci, cu, ce. The Cree and Cherokee Alphabets fall into this style. Interestingly, the Faliscan alphabet (a serial style) from Roman era Italy has two forms of symbol R. One form represents A, a vowel, and another form R, a consonant. The Cherokee (a table style) has two R’s also. One represents E, a vowel, and the other Sv, a consonant. The odds against this must be rather high. Faliscan is derived from Etruscan. The origin of the Cherokee script is documented in Joseph B. Mahan’s “The Secret: America in World History before Columbus.” It is a much more realistic story then the one being passed around the internet. Mahan obtained his information directly from a Shawnee Chief. It confirms that the Cherokee script also has its origins in antiquity.

Development of modern Hebrew from Paleo-Hebrew.

Development of modern Hebrew from Paleo-Hebrew. From oocities.org.

Although pre-dated by the Egyptian scripts, the Proto-Canaanite Alphabet is one of the oldest known. It dates back almost 3500 years. It evolved into Phoenician and eventually into today’s Hebrew. The Hebrew alphabet will serve as the base from which the Indo-European Language will be reconstructed. Another added advantage is the Torah, the original untranslated version of the first five books of the Old Testament, has been meticulously maintained for thousands of years so there is further reason to have confidence in its order and numerical values.

This alphabet will be the starting point for a faithful reproduction of the Indo-European language.

But what can a,b,g,d….. really tell us?

Next post.

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The Mighty Religion of….? Baal?

Sketch of Wilmington Tablet

Sketch of Wilmington Tablet from J. Ralston Skinner’s 1885 article.

© 2018 B. L. Freeborn

In prior posts the idea that ancient art describes the events of a great comet impact and an associated crustal displacement was discussed. The search for further support from ancient records then turned to language and in particular to one possible and pervasive religion that spread ideas and thereby its language.

This religion has to have existed over a broad span of time and a vast distance encompassing many peoples and environments. There is no reason to expect that the name of this religion was one and the same for all places in all times, just as Christianity presents under such vastly different names as Catholic, Anglican, Protestant, Baptist, Episcopal, Methodist, Church of Christ, etc. One might expect that this religion will also appear under different names.

Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia,

Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia,

It is proposed here that the religion was that of Baal. Baalism has been touched upon many times in prior posts. It is very poorly understood today, if at all, and often attributed to only a small geographical region in the vicinity of Canaanite, particularly Ugarit.

However, place names suggest otherwise. Baalbek; Baltic Sea; Temple of Bel in Syria; Belluton, England; the Baltic States and region; Bel (Celtic god); Bel (Babylonian god); Bel, Iran; Bel, Romania; Baal described in the Old Testament; Baal, Netherlands; Baal, Belgium; Babylon of old, ……etc.

There are religious references such as Beltane in the British Isles, The Tower of Babel, and the Bible (when pronounced bi-baal). So, there is ample evidence that, whoever or whatever Baal was, belief in it was widely dispersed across time and place which makes it an ideal candidate.

Previous to Christianity there was Judaism. The Old Testament, which is a Judaic document, describes in I Kings 18 the killing of 450 priests of Baal, so Judaism did not develop in a vacuum. Baalism was evidently pervasive there and in other places. The art that has been reviewed throughout these posts was from a variety of cultures so it is impossible to affix one name to the religion. The religion shall be defined here as ‘Baalism’ simply because Baal seems to be a prevalent word.

Logically, the next goal will be a study of the Indo-European Language to see what can be learned. However! People have been doing that for 400 years. So, the path taken here will be an entirely different approach than has ever been tried before.

The next post ………….. will jump knee-deep into the unknown we know so very well!

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Ancient Riddles to Test Our Wits: The Great Pyramids

© 2017 B. L. Freeborn

Aerial view of Giza Pyramids and Sphinx complex.

Why were the Great Pyramids built? Egyptologists will probably tell you they were built as tombs despite all indications to the contrary. Another lot will tell you they were built to re-enact the Pharaoh’s symbolic death and resurrection. And yet another lot will tell you that the ground plan was to remind us of the Orion constellation. There are other diverse theories.

The ground plan does resemble the three stars of Orion’s Belt as proposed by Robert Bauval in 1984. But was it necessary to build such massive structures to depict them? And why do so?

Then again the resurrection connection has strong merit. Resurrection of god is an enduring myth found in many cultures with various gods playing the role. So, perhaps there is some truth to this as well.

Use diagonal of pyramids to size and place circles. Mark Sphinx location.

What if there is another reason that ties all three of these together? What if it requires a broader knowledge of the world to understand it which has only recently become available to the masses?

Let’s pause for a moment to consider some unrelated ideas:

  • Recall the phrase… ‘As above so below.’  The resemblance to Orion’s belt brings the heavens to mind and what lies in them besides just planets and stars.
  • The ancients loved the ‘squaring of a circle.’
  • The western and eastern cemeteries at the site appear as small rectangles next to the massive structures. They are clearly visible in satellite images as if they are grids and intentionally put there to give the whole complex true scale.
  • Many of the ancient works of art studied in prior posts suggested turning.
  • Many of the ancient works of art depicted a point up triangle in association with a point down triangle. This is evident in more recent works such as Da Vinci’s Last Supper.
  • The letter N in the Latin alphabet is nearly identical to the aleph of the Hebrew alphabet and this similarity was used in the Sator Rotas Square. The ‘N’ is actually a combination of both point up and point down triangles.

Flip the pyramids over and rotate 45 degrees clockwise.

Any ideas come to mind?

Let’s add another clue. The name which most of the world uses to identify this nation is Egypt. Stephen Mehler tells us at his website that the name is derived from the Greek: Hi-Gi-Ptos and pronounced Aegyptos. It was derived from the ancient term Het-Ka-Ptah. The repetition of the ptos and ptah is obvious. The first two syllables are not so apparent. Let us assume that the Greeks were close enough in time to have a true inkling of what the pyramids were all about. Aegyp is easily and oddly enough translated into both Old and Modern English. ‘Aegype’ means without skill. The ‘aeg’ means awe or terror. The ‘gype’ means gap or gaping. The ‘pt’ of ptos and ptah can also be translated into both Old and Modern English. We spell it as ‘pit’ today. Mehler tells us the phrase means “the physical projection of the soul” which is much more glamorous and mysterious then my dismal translation: awesome gaping pit.

Complete the circles.

How about one more clue…..

If you were to fly from the Giza Pyramids in a direction of 32.11 degrees west of north for 2466 miles where would you end up? (Towards the former magnetic north.)

(Another way to think of that 32.11 is 5.66 squared. And by golly!, 32.11 is almost the coefficient of gravity which is 32.17 ft/sec/sec.)

Your final bearing upon arriving will be 56.55 degrees west of North!!  And your latitude will be 56.5 degrees North!!! which is where magnetic north used to be. (Gravity is just another form of magnetism.)

Need yet another clue?

Perhaps the similarity to Orion’s belt is meant to remind us that at one point in time three objects came from the heavens and left their mark on the planet. The scale of these ‘marks’ is as great as the pyramids are to the grids of graves in the cemeteries.

  • Now let us ‘square the circle’ in reverse. Recreate each square pyramid as a circle. Take the diagonal of each and use it to swing an arc from the center of each pyramid. Do not forget the Sphinx! In the images the Sphinx’s body is a small line and the two dots are the paws.  (See images.)
  • Flip the pyramids. Instead of seeing them as up pyramids … see them as  down pyramids.
  • The shape of the pyramids suggest a 45 degree angle. Now rotate the image 45 degrees clockwise. And you then have…..?

The pyramids as circles, flipped and rotated 45 degrees overlaid on Hudson Bay,

Is this not the layout for Hudson Bay? Are these not awesome gaping pits which were once in a two mile deep ice blanket? Does this not explain the sheer massiveness of the pyramids?

And the position of the Sphinx quite nicely suggests the location of the double comet craters at Clearwater Lakes, Quebec, Canada which are 20 and 14 miles in diameter.

Now we might be able to deduce exactly what was resurrected after a miserable death and why its symbolic tombs are so large and empty!

Previous Post – – –Next Post

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References:

http://www.gizapyramid.com/stephenmehler1.htm

Robert Bauval, Adrian Gilbert, The Orion Mystery: Unlocking The Secrets of the Pyramids (London: Heinemann, 1984). ISBN 0-434-00074-4

Ancient Riddles to Test Our Wits: Secrets from West Africa

© 2017 B. L. Freeborn

Ifa divination bowl of the Yoruba people.

West African Ifa Divination bowl of the Yoruba people formerly of the Friede Collection. Photo credit below.

This figure is from the Friede collection formerly of New York. It is a vessel used for Ifa divination amongst the Yoruba people of West Africa. The bowl holds palm nuts used by the diviner.

Now let us look closer at this very unique piece of art and we will recognize some very familiar symbols.

Recall the symbols in the Da Vinci Last Supper seen in the previous post.

Find the symbols suggested by the italic phrases below in the image.

A double comet came as two balls.

It put a large crater upon the world’s back

when it brought the world to its knees.

It bent the mountains down that covered the head of the world.

It split the world asunder creating a two footed foundation

for the world: the north pole and the magnetic pole.

——————————————————————————–

(Image from World Mythology, Editor Roy Willis, New York: Metro Books, 2006, pg. 275.)

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Ancient Riddles to Test Our Wits: New York Baal Stone

The Baal Stone from upstate New York written in Phoenician script circa 800 BC

The Baal Stone from upstate New York written in Phoenician script circa 800 BC

© 2016 B. L. Freeborn

Another ancient riddle presents itself in this stone (about 12″ wide) written in Phoenician Letters circa 800 BC which was found in rural New York.

Is this the Eye of Baal in the center of the stone?

Is it a comet that splits into two parts?

Or is it the Phoenician letter T?

In the image below, the stone is translated using Anglo-Saxon. It reads: “There is the eye of power. It is here at the quay that divides.”

If it is read using the T as a tie then it reads: “It burnt a pit out of the net and it is eaten quite large at the stop for the tie.”

Translation of the New York Baal Stone with 800 BC Phoenician Letters and Anglo-Saxon

Translation of the New York Baal Stone with 800 BC Phoenician Letters and Anglo-Saxon

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It Rained Arrows from the Sky

Largest “float copper”. A mere 28.2 tons. Or is this a piece of the Comet Baal? Photo by Lucy Hough

© 2016 B. L. Freeborn

The last post about Hudson Bay as a comet crater was an excerpt from the full article, “A Planet Most Miraculous: The Mechanics of Earth’s Rotating Crust,” which is about the Earth’s unique construction.

A comet that leaves a crater 1000 x 400 miles long must leave remnants behind which is exactly what we see in these images.

This comet was the likely source for the vast amount of pure copper mined out of Michigan thousands of years ago. It also explains the origin of the tradition of copper rings found in ancient American burials and even in European history as seen in the story Beowulf.

The copper shown here is a mere 28.2 tons and the museum piece is 34 tons.

Cape York Meteorite (Ahnighito)

Cape York Meteorite from an impact 10,000 years ago found in 1894.

See more at:

http://www.amnh.org/explore/news-blogs/on-exhibit-posts/meteor-meteorite-asteroid-what-s-the-difference

and at this link:

http://www.awesomemitten.com/float_copper/

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Ancient Riddles to Test Our Wits: Crespi’s Prince

Gold Tile from Crespi Collection

Partial view of gold tile from Crespi Collection

Darker view of gold tile from Crespi Collection

Darker view of gold tile from Crespi Collection

Close up of lettering at feet on Crespi tile

Close up of lettering at feet on tile from Crespi Collection

© 2016 B. L. Freeborn

In this piece from the Crespi Collection find the words in italic:

The two falling worms did warm and split asunder

the great ice-ice mountains of Isis.

They bore two holes through and carved a great dip in the tiles.

The crater, melted deep and mighty, makes a crown for the head of the two footed Earth.

The two feet, magnetic and north, lay the tiles which spell the story.

X marks the tie at the pole. This O of a crater marks the center.

What is left is the curve of the crater. It is the rightful whose cover dropped low.

The point struck at the neck and the face did turn.

This then is how the Earth was clothed.

___________

Compare the above to this Egyptian work of art depicting Horus.

Horus-offering-symbols-life-ankh

Egyptian God Horus wearing a similar hat as depicted in the Crespi Gold Plate from Ecuador. The X and O on the belt appear as the ankh mid-image.

_______________
Read more about Father Crespi and see more art:

“The Crespi Ancient Artifact Collection of Cuenca Ecuador”

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The Newberry Tablet Reveals….

© 2015 B. L. Freeborn, Sept. 2022

Smithsonian Photo of Newberry Tablet, compliments of Roger Jewell

Smithsonian Photo of Newberry Tablet, compliments of Roger Jewell

To the first post on the tablet – To the previous post on the tablet.

In the last posts we looked at the overall layout of the Newberry Tablet and many symbols. The list has grown and the reading is completed here.

The symbol identification thus far has suggested the topic of the tablet is a double comet collision and its crater was to be a point of reference for future measurements. The remaining symbols should support this story.

The last of the study comprises 15 symbols. The remaining symbols are left for the reader to identify. There is one symbol that resembles the ‘Q’ of the Paleo-Hebrew alphabet. It is suggested it represents cue or to line up, or quay, the place where ships line up. Since cows walk in a line and the Old English word for cow, spelled cu, is very similar; the symbol perhaps means to line up and/or skin, an important by product of cows.

The symbol similar to a rectangle is found in the Luwian symbol list #89 and has sound value ‘tu.’ This is very similar to the word tow and is so noted.

The symbol that is a square divided in half is always followed by the symbol that looks like a ‘Y’. Both symbols are extremely similar to the ‘ch’ and ‘vav’ of the Paleo-Hebrew Alphabet. Substituting the sounds ‘ch’ and ‘w’ into the table find the word ‘chew’ repeated four times. This word is also an original Old English word.

The circle with a hook on top is found in the Luwian Glyph list at #435 with sound ‘a’ and is noted in the table as crater/hook.

The symbol that looks like a large curling ‘e’ most likely means ‘turn’ since the Adena Tablets and the New Hampshire Mystery Stone included this idea. It is so noted in the image.

The symbol that is the cup with a dot in the middle and a small stroke at the top is translated by understanding that in Luwian Hieroglyphs the small stroke added to another symbol is an ‘r’. This gives us an eye-r-cup or perhaps ‘ire cup’ and is so noted in the table.

Newberry symbols replaced with proposed meanings. See images below and text for more information.

It took some time to identify the symbol first row, fourth from the right and the symbol in the sixth row second from the right as being related to each other. The latter is found in the Luwian glyph list at #506. It is also found in Assyrian art and Olmec art described in a previous post as the odd little purse. The glyph list notes it as having sound ‘hana.’ In Old English this word means boundary stone. The symbol in the first row combines it with a ‘cup’ so that the distorted ‘B’ shape is created. They are noted in the chart as boundary and cup/boundary.

The symbol in the second row third from the left is similar to a reversed ‘e’ with an extra mark below it. In fact it appears to be an ear. In Old English the word ‘ear’ besides meaning ear means wave or flood. The association no doubt arises because of the whirlpool design of the ear. It is noted as ‘flood’ in the table.

Since many of the symbols are similar to Paleo-Hebrew perhaps the cup that is upside down and upon an upstroke is the letter ‘ts’. The words ‘toss’ or ‘tease’ is essentially defined by this sound. The similar symbol that combines the former symbol with a short stroke is then ‘ts’ and ‘r’ and is actually closer to the Paleo-Hebrew ‘ts’. This then sounds out the word ts-r or tesserae and is so noted in the table. This word means a small square tile.

The hook or staff studied in previous posts can now be associated with Paleo-Hebrew ‘P’ which begins such words as pea, power, pole, and point. The ‘P’ has been added to the table.

The symbol in the first row fifth from the left that appears to be a triangular ‘e’ with a large side stroke reminds one of the Paleo-Hebrew ‘B’ with the Luwian ‘r’ added. This gives the word b-r which suggests the word bear as in direction and it is noted in the table as bearing.

The Newberry Tablet's translation.

The Newberry Tablet’s translation.

The triangle with the stem suggests the Paleo-Hebrew ‘R’. It might have a side stroke as seen in the ‘bearing’ symbol. It is noted in the chart as ‘ray.’

The last symbol identified here is the circle with the two side strokes like antennae and the dot in the middle. The Paleo-Hebrew letter Ayin or ‘A’ is a circle. The dot supplies eye or sound ‘i’ and the two strokes give two r’s. So then we have r for ray, an eye, and a-r. The latter suggests the Old English word ‘or’ which means origin. It is noted in the table as ray-eye-origin.

So then, the table provides short readable sentences. The first line perhaps reads: The battle at the cup where lays the noble bearing is the to/from boundary. The cup is the dead pole and the eye.

Continue to line two and read: Many here caused the flood. It was the powerful ruler that was chewed. It is Baal’s line at the angry wandering cup …(unknown term).

In other words they say: There was a comet impact. It is the crater at magnetic north. Here is the reference boundary for longitude. The crater is the former north pole and the eye of the comet.

Many comets here caused a flood. It was the north pole that was destroyed. It is the longitude of the double comet’s (Baal’s) crater that….

The remainder of the table can be studied at one’s leisure.

Enjoy your New Year! Happy Holidays!

On to more riddles!!

The Newark Decalogue Stone and Earthworks – Full Article PDF

Thank you for reading.

Here is the Newark Decalogue Stone and Earthworks: An Unraveling Mystery in PDF

Group of Four Mounds called the Bird within the Great Circle at Newark, OH.

Group of Four Mounds called the Bird within the Great Circle at Newark, OH.

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