Ancient Riddles to Test Our Wits: Secrets from West Africa

© 2017 B. L. Freeborn

Ifa divination bowl of the Yoruba people.

West African Ifa Divination bowl of the Yoruba people formerly of the Friede Collection. Photo credit below.

This figure is from the Friede collection formerly of New York. It is a vessel used for Ifa divination amongst the Yoruba people of West Africa. The bowl holds palm nuts used by the diviner.

Now let us look closer at this very unique piece of art and we will recognize some very familiar symbols.

Recall the symbols in the Da Vinci Last Supper seen in the previous post.

Find the symbols suggested by the italic phrases below in the image.

A double comet came as two balls.

It put a large crater upon the world’s back

when it brought the world to its knees.

It bent the mountains down that covered the head of the world.

It split the world asunder creating a two footed foundation

for the world: the north pole and the magnetic pole.

——————————————————————————–

(Image from World Mythology, Editor Roy Willis, New York: Metro Books, 2006, pg. 275.)

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Ancient Riddles to Test Our Wits: DaVinci’s Last Supper

Leonardo da Vinci's Last Supper

Leonardo da Vinci’s painting of the Last Supper in Santa Maria delle Grazie painted in 1498. Wikimedia, public domain.

© 2017 B. L. Freeborn

Another ancient riddle presents itself in this fabulous and famous painting of the Last Supper by Leonardo da Vinci. It is well known he was involved in secret societies. Is he revealing any secrets in this painting?

Note the following possible symbolism:

  • The figure of Jesus creates a vertical triangle.
  • The empty space to his right creates an inverted triangle.
  • The man to his left is pointing upwards with his right hand.
  • The feminine figure on Jesus’ right has a disembodied left hand slicing across his neck suggesting beheading.
  • All the cups on the table are made of clear glass making them difficult to see.
  • There is a large dish in front of Jesus central to the image.
  • The image is painted and centered over a door.
  • The window behind Jesus has an arch painted over it.
  • The painted ceiling is a grid of 36 squares.
  • The disciples are grouped 3 and 3 on each side. There are 3 windows on the back wall and 3 pillars on each side.

A closer examination of the Last Supper reveals clues to da Vinci’s knowledge of long held secrets.

    Perhaps some meaning can be affixed to this possible symbolism.
    • Are the cups on the table nearly invisible because they are not important to the real story?
    • Is the grid work the man points to on the ceiling supposed to represent longitude and latitude lines?
    • Are the 36 squares supposed to suggest the 360 degrees of a circle?
    • Are the repeating 3’s used to suggest 33? Is this the 33 of Scottish Masonry or is it latitude from the North Pole which is 57 degrees north latitude where Hudson Bay lies?
    • Is the arch above the highest window the Nastapoka Arc of Hudson Bay where it appears a massive comet impacted?
    • Is the dish central to the image and over the door to indicate it is a large round opening?
    • The up and down triangles are seen in the Grave Creek Stone below. The symbolism is also seen in the letter N and in the first Hebrew letter aleph which is essentially an N as well.
    • Is he saying the ‘central mountain’ ‘went in’ to a ‘disc shaped hole’ with a pronounced arc?
    • Does all this imply it was mother Earth itself that was beheaded?

Note the similarities to other ancient art studied in previous posts as shown below.

Copy of stone found at Grave Creek Mound, West Virginia, Ohio River. The middle column depicts the up and down triangles.

Shaman Bear from Newark Mounds, Newark, Ohio. The man holds a decapitated head on his lap.

Assyrian Relief, Detail of Cup, Brooklyn Museum. The dish on the center of the table like the dish in the relief seems to be central to the topic.

Gaitskill Stone Tablet from ancient Ohio showing grid and pole at top.

Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia. The man points up with his right hand and his left hand is held low.

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Ancient Riddles to Test Our Wits: The Purse from Assyria

© 2017 B. L. Freeborn, updated Sept. 2022

The object that appears to be a purse found in the art of the Olmecs of Mesoamerica and in ancient Assyria in the Middle East was discussed previously in posts on the Odd Little Purse and Its Meaning. Also see this Göbeckli Tepe post.

Assyrian Purse

A stone carved weight from Assyria located in the Metropolitan Museum of Art, NYC.

Now, one has been found! In the New York City Metropolitan Museum of Art’s Assyrian Collection there is an intricately carved stone purse about a foot in width. It is decorated with the tree of life motif that is so prevalent in art from the period.

The museum description reads that it was probably used as a weight or counter balance for a scale. Indeed, in the photo one can see that the upper left side of the handle seems worn from use as if it had been hung on a hook repeatedly. Next to this stone purse was another of similar design but smaller with a broken handle.

Assyrian Purse in relief

Assyrian Relief with Winged Genius, Walters Art Museum, Wikimedia

This independent confirmation by the museum that it was a weight reinforces ideas presented in other posts. Because of its central position in these beautiful works of art, such as the Assyrian Relief shown here, it must be intrinsic to the story they relate.

Could they actually be depicting a comet coming to the center of the ‘weight of the world’, or the then massive northern ice sheets, where the ‘tree of life’, now known as the magnetic north pole, emanates?

This iconography also appears at Gobekli Tepe. (Image from Wikipedia.) On Pillar 43, three purses appear in a row with vultures below them. One appears to be tossing a ball. ?!?

385px-vulture_stone2c_gobekli_tepe2c_sanliurfa2c_south-east_anatolia2c_turkey

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Ancient Riddles to Test Our Wits: The Secret Chamber

© 2016 B. L. Freeborn (updated Feb. 2023, June 2025)

This stone with a Latin inscription was found in rural New York.

This stone with a Latin inscription was found in rural New York.

Another ancient riddle presents itself in stone. This one is also from rural New York. The very readable words ‘In camera’  are still used today. It is a legal term in Latin for behind closed doors or in secret. What secret does this stone hold?

Roman numerals were in common use until the 11th century when they began to be replaced by Arabic style. They persisted into the 15th century and in some instances are still used today. The numbers read:  XLV = 45, XXX = 30, LXXV = 75, and LIII = 53.

Obverse side of stone with a Latin inscription found in rural New York.

Obverse side of stone with a Latin inscription found in rural New York. Numbers read 45 30 and 75 53.

What then do the numbers mean? Hint. Notice 30 + 45 = 75. When does 45 equal 75?

Perhaps in true ‘Da Vinci Code’ style the words In Camera are an anagram or in an entirely different language?

Find the words in italics on the front face:

Baal struck the center of the rule that governs the world.

The eye marks the angle that divides.

The smoking rocks struck deep into the mountain of ice

and the water flowed.

The numbers read:

XLV = 45, XXX = 30,

LXXV = 75, and LIII = 53.

Notice 30 + 45 = 75. When does 45 equal 75? And what of the other numbers?

  • 45 minutes equals .75 hours.
  • .53 radians equals 30 degrees.
  • 45 and 30 as 4530 is 79 radians.
  • The sum of 75, 53 and 30 is 158 or twice 79.
  • The sum of all four numbers is 203. There are 360 degrees in a circle. 203 / 360 = .564.

Notice that if the numbers in the top line are adjusted to be 4.5 and 3.0 then:

  • Sum 75 to 4.5 and find 79.5 and then sum 53 to 3.0 and find 56.0.

The hidden numbers then are 79, 79, 79.5, 56, .564.

The association with time, degrees and radians suggests measures of longitude and latitude.

What lies at 79 degrees West and 56 degrees North?

———-

Perhaps the two V’s are lined up for a reason. They point downwards between the A and M of Cam in ‘In camera.’ The word ‘am’ in Old English means ‘reed’ suggesting a measuring stick. The word ‘cam’ suggests came. The picture has a ruler on an index which reinforces the previous idea. Are the two V’s double daggers or twin comets? Does it say” in – came -arrows”? Is the octopus actually a smoking crater in a mountain of ice?  In Old English ‘Amier’ means destroyed.

Notice these other words: LIN or Line, MAC or make, LAER or lair, and there are three X’s in a row.

Is the phrase ‘IN CAMERA’ an anagram for:

  • Can I mare … meaning …’round eye sea’?
  • Mark lie in A …?
  • I name Carl … meaning… ‘I, Carl, wrote this’
  • N. America?

– – – – –

Perhaps we can conclude:

Carl wrote this in  America.

In the North lies the Eye Can Sea where in a line are three marks

 from the double comet.

They struck at the pinnacle, at the measuring point.

The three are the lairs in camera.

Similar Runic posts begin here.

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Ancient Riddles to Test Our Wits: New York Baal Stone

The Baal Stone from upstate New York written in Phoenician script circa 800 BC

The Baal Stone from upstate New York written in Phoenician script circa 800 BC

© 2016 B. L. Freeborn

Another ancient riddle presents itself in this stone (about 12″ wide) written in Phoenician Letters circa 800 BC which was found in rural New York.

Is this the Eye of Baal in the center of the stone?

Is it a comet that splits into two parts?

Or is it the Phoenician letter T?

In the image below, the stone is translated using Anglo-Saxon. It reads: “There is the eye of power. It is here at the quay that divides.”

If it is read using the T as a tie then it reads: “It burnt a pit out of the net and it is eaten quite large at the stop for the tie.”

Translation of the New York Baal Stone with 800 BC Phoenician Letters and Anglo-Saxon

Translation of the New York Baal Stone with 800 BC Phoenician Letters and Anglo-Saxon

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Ancient Riddles to Test Our Wits: Ancient or Modern Copies?

Elephant Tablet found during construction of Cuenca Airport, Ecuador

Elephant Tablet found during construction of Cuenca Airport, Ecuador

© 2016 B. L. Freeborn, updated August 2022

This piece from the Crespi Collection found during construction of the Airport in Cuenca, Ecuador is obviously related to the three stones shown below. An image of the Cuenca stele was published in a book by Barry Fell in 1976. The other three are from Burrow’s Cave which was reportedly found in 1982. In a previous post this stone was translated. Can it be determined if the other three are copies of this stone and if the copies were made relatively recently?

Using transliteration into Paleo-Hebrew circa 200 to 100 BC and Hebrew Letters as derived by J. Huston McCulloch in his study of the Newark Decalogue Stone from Ohio, the Elephant Tablets are translated with the aid of the Anglo-Saxon Language.

These copies of the elephant stone are believed to be from Burrows Cave which means their authenticity is in question.

These copies of the elephant stele are believed to be from Burrow’s Cave which means their authenticity is in question.

Compare the detail in the elephant and Sun. The Sun should appear as a dual reference to Baal’s crater as an origin. The Cuenca shows two eyes and lines radiating from a central O. The trunk of the elephant does not show the all important crater shape in any of the other copies. The back of the mammoth does not appear broken and in the eyebrow shape of Hudson Bay. If it was copied from the Cuenca Stele then the ‘copier’ was far removed from the significance of the detail in it.

The overall presentation on circular and chipped tile shapes is consistent with the story of Baal. However, the stones on the left and right appear freshly machined. And finally, the inscriptions in line 1 and 2 are different than the Cuenca.

The letter ‘th’ in the first line is not reversed as in the Cuenca example which suggests two possibilities. The first is both lines are to be read left to right. The second possibility is the copier was unaware of why the ‘th’ was reversed in the first line and corrected it. The lifespan of the copier cannot be determined by this difference just that he might have thought it was an error in the original. The middle stone’s N (center of first line) is truer to the Paleo-Hebrew style. But it also appears to be an L which then gives the word BL or Baal when read right left.

Lastly, note the facing C’s in the middle line of all four. These were seen in other tablets from Ohio and in art from Knowth, Ireland. Previously, using Luwian glyphs the meaning Great Origin or Mighty Crater was derived from this pattern. It also leads one to another translation of the middle line. If the ‘Th’ stands alone to represent ‘the’ and the C is the Luwian symbol for ‘great’. This then reads ‘The Great cave of Baal’ which is totally plausible and in line with ancient wit to use two languages/alphabets within a text (as academics still do today) and two meanings within the same line.

The overall problem remains though. Because the image of the Cuenca stele was freely available, did Burrow’s make the other three by copying it with minor changes? Barry Fell himself stated the first image published of the stele had an incorrect letter. That mistake appears in the Burrow’s Cave steles.

Old and real? New and fake?

Or copies of secreted away originals?

_________

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Back to Newberry Tablet beginning or its conclusion.

Paleo-Hebrew at oocities.org

____________________

See full article on the alphabet by J. Huston McCulloch at:

http://www.econ.ohio-state.edu/jhm/arch/decalog.html

Ancient Riddles to Test Our Wits: The Mammoth at the Top of the World

Elephant Tablet found during construction of Cuenca Airport, Ecuador

Elephant Tablet found during construction of Cuenca Airport, Ecuador

© 2016 B. L. Freeborn, Updated August 2022

This piece from the Crespi Collection was found during construction of the Airport in Cuenca, Ecuador. By identifying the letters as Paleo-Hebrew (Phoenician) circa 200 to 100 BC and Hebrew Letters as derived by J. Huston McCulloch in his study of the Newark Decalogue Stone from Ohio, the Elephant Tablet is translated. The language used to aid with the translation is Anglo-Saxon. A study of the stele when read in Boustrophedon style (back and forth) provides these words: bad, death, beat, cave or pole, dwell, lame, bucket, An, dish, change, origin, peck, cave or pole, eye, Baal, and area.

So perhaps they suggest…

The back of the mammoths was broken –

It was a bad death. It beat at the pole. There is a bucket where An dwelt. It is a dish where it changed (?) the origin (?). It pecked at the pole at the eye. Baal was there.

The letters can be converted to numbers as shown in the next image and the sums as shown can be found:

This number study reveals the all important 565. The numbers that comprise the word Yahweh by way of gematria are 565 10.

The number 79 was found and one can also easily find 792 or 7920 by using the 20 and 2 in the line above. The diameter of Earth is 7920 miles.

The 864 refers to the number of seconds in a day and to the seconds of longitude of the Earth or 86,400.

The 51 created by the letters AN then remains. There is this interesting fact. Cuenca sits nearly on the equator. By traveling 79 degrees longitude to the east and 51.51 degrees north of it one finds London and Greenwich, England the prime meridian. ??!!! ??

There is at least one other 56.5 that can be found. Because the letter noted as ‘sa’ or ‘a bucket’ is a pictogram the stele is composed of eleven letters and three pictures or 113 which is 2 x 56.5.

The most important idea here is that these numbers have been imbedded in ancient documents for millennia which lends credence to the Ohio Hebrew being valid and thence, the Newark Stones.

Continues in the next post with a comparison to other elephant stones ……………

____________________

See full article on the alphabet by J. Huston McCulloch at:

http://www.econ.ohio-state.edu/jhm/arch/decalog.html

Paleo-Hebrew at oocities.org

______

Back to Newberry Tablet beginning or its  conclusion.

It Rained Arrows from the Sky

Largest “float copper”. A mere 28.2 tons. Or is this a piece of the Comet Baal? Photo by Lucy Hough

© 2016 B. L. Freeborn

The last post about Hudson Bay as a comet crater was an excerpt from the full article, “A Planet Most Miraculous: The Mechanics of Earth’s Rotating Crust,” which is about the Earth’s unique construction.

A comet that leaves a crater 1000 x 400 miles long must leave remnants behind which is exactly what we see in these images.

This comet was the likely source for the vast amount of pure copper mined out of Michigan thousands of years ago. It also explains the origin of the tradition of copper rings found in ancient American burials and even in European history as seen in the story Beowulf.

The copper shown here is a mere 28.2 tons and the museum piece is 34 tons.

Cape York Meteorite from an impact 10,000 years ago found in 1894.

See more at:

http://www.amnh.org/explore/news-blogs/on-exhibit-posts/meteor-meteorite-asteroid-what-s-the-difference

and at this link:

http://www.awesomemitten.com/float_copper/

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Hudson Bay as a Comet Crater

© 2016 B. L. Freeborn

This is an excerpt from the full article: “A Planet Most Miraculous: The Mechanic’s of Earth’s Rotating Crust.”

Hudson Bay showing the arcs of the bay.

Hudson Bay showing the arcs of the bay.

It is possible to draw four large round circles in Hudson Bay. The largest scales to a diameter of 400 miles. The second largest scales to 230 miles. Hudson Bay is very shallow. Yet it was once compressed down 900 feet deeper than it is by the mass of the former ice sheet. The large appendage to the bay in the south is extremely shallow. References differ on the bay’s depth from 111 feet deep in the east to 768 to the northwest. Variations aside, this is a very shallow body of water when the size of it is considered.

This causes a problem if one wants to prove these are large craters. They are just not deep enough to be craters of this diametrical proportion. For example, Barringer Crater, Arizona is 4000 feet wide and 570 feet deep. Look at the other contraindications. Besides its shallowness, there is no impact ejecta. There may be central uplift in the bay as islands but for the size of it, and the age as required to have brought about the end of the “ice age”, there is no deep basin. There is no high well delineated edge as can be seen in the Pingualuit crater which is supposed to be vastly old by comparison. It does not seem possible that this is a crater. Yet it can be argued that it is.

Delving a bit further, it is known that there is a “large region of below-average gravity” in the area. The anomaly has not been explained. Suggested theories include the weight of the Laurentide Ice Sheet has influenced the area. Another theory suggests that convection in the underlying mantle may be a contributing factor. The 230 mile diameter arc to the southeast is known as the Nastapoka Arc of the bay. The geologists’ consensus explanation calls it an “arcuate boundary of tectonic origin.” In other words they think that millions of years ago the Earth folded in a perfect arc. Another theory, less popular, allows a Precambrian extraterrestrial impact. However, geologists do not feel there is any credible evidence for such an impact crater. There is no evidence from regional magnetic, Bouguer gravity, or geologic studies. That statement directly contradicts the “large region of below-average gravity” with which the paragraph started. (Wikipedia)

Hudson Bay crater formation, 14,000 years BP.

Formation of a crater within the two mile thick ice sheet that once overlaid Canada which resulted in Hudson Bay.

So, how does one explain Hudson Bay is a very recent comet crater 1000 miles by 300 to 400 miles across? Once again, let us just look at what we have. We have a nearly perfect arc in an area that is on average 330 feet deep. This same area was once overlain by an ice sheet two miles thick in certain parts. Two miles thick is 10,560 feet of hard frozen, compacted, heavy ice. This means that if we took a cross section of Hudson Bay when the ice sheet was there and scooped a crater out of it that only dips into the ground 330 feet, the crater was theoretically 10,890 feet deep with little imagination.  The bottom of the crater only remains then as the Nastapoka Arc which implies the upper rim, now long melted, was substantially larger in diameter. The ejecta was simply ice, and billions of tons of it which was spewed as far as Siberia to engulf herds of grazing mammoths. It was thrown as far as Scandinavia to leave glaciers there. There was no dust cloud that enveloped the Earth for decades, because water does not create dust. It creates rain. The elongated shape from the northwest to southeast then is either the sideways impact of a comet striking the surface at an angle or the successive impact of several portions of one comet. A sideways impact will add more torque to the reaction of the Earth and aid in turning the outer layers of the planet. The enumerable other craters that dot the northern latitudes may have occurred at the same time or during later events which totally negates their vast ages.

Successive crater formation as comet strikes Ice Sheet (future bay area) and blast material ricochets to form other impact sites.

Successive crater formation as comet strikes Ice Sheet (future bay area) and blast material ricochet to form other impact sites.

The picture becomes clearer when we comprehend the velocity with which these mammoth projectiles struck the planet. They could not just strike and stick like an arrow in a target. They shattered on impact and bounced in very much the same manner as a stone skips across a lake, except in this case their velocity was unimaginably high. We see directly below Hudson Bay the five great lakes and upon close inspection we see several sections of each lake exhibit the same round cut out pattern as the Nastapoka Arc of Hudson Bay. Once impacting and forming the Great Lakes the debris shattered even further.  A rebound impact could not entirely expend the comets’ energy. The debris kept moving albeit at a slower yet still extremely high velocity. It fanned out to the west, southwest, south, east and southeast blanketing and smashing millions of square miles. The impacting debris formed what are called Carolina Bays. The name originates from the thousands of long elliptical, shallow structures that appear throughout the Carolinas. As Kelly and Dachille explained in 1953, they were formed by massive melting icebergs. In other words, they were debris from the shattered ice cap.

Overlapping polar circles creates a vesica shape where the thickest ice on the planet is found.

Overlapping polar circles creates a vesica shape where the thickest ice on the planet is found.

Indeed, almost the entire old polar ice cap was displaced from the bitter cold of the Arctic Circle. The ice that was outside the first circle was now -outside of the arctic circle- and prone to melting. We call these areas glaciers and their melting is what we call the ‘End of the Ice Age.’ It is proposed that the glaciers extended into Ohio, not because the weather patterns had changed allowing the Earth to cool but because this area was within the Arctic Circle when the ice formed. During this same period of time, half of Antarctica was dry land and ice free because it was outside the Antarctic Circle. The Earth had gone through a long period of stability and created these extremely large and thick ice layers at the then poles within the first circle. The sea level had dropped and man had happily moved out onto the vast plains left behind by the receding ocean. It was safe. It was beautiful and they were blessed, for a long while.

Continue reading …..full article posted here.

Possible remnants of the comet are seen in the next post.

See the Ancient Map of Hudson Bay in the Previous post

Ancient Map of Hudson Bay

Knowth Kerbstone 15. Sketch by B.L. Freeborn.

Knowth Kerbstone 15. Sketch by B.L. Freeborn.

© 2016 B. L. Freeborn

How cool would it be if a map from when the glaciers still covered Canada existed? It would show the Laurentide Ice Sheet and the lake that would eventually become Hudson Bay. Would it look just like this 5000 year old artwork from Knowth, Ireland known as Kerbstone 15?

The map shows the North Pole and its rays fanning out. The symbol on the right suggests the inscription tells of the world turning.

The line from the center towards the notch-out on the left is a line drawn from its center (magnetic north for the time period) towards Knowth, Ireland.

The monument of Knowth when seen from the air shows a small round mound overlapping the main structure or a comet impacting the planet.

See more at:

http://www.knowth.com/knowth-kerbstone15.htm

http://www.megalithicireland.com/Knowth.htm

Knowth Kerbston 15. Photo by Ken Williams.

Knowth Kerbston 15. Photo by Ken Williams.

Knowth Kerbstone 15. Photo by Megalithic Ireland.

Knowth Kerbstone 15. Photo by Megalithic Ireland.

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