December 6, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Wilmington Tablet

The Wilmington Tablet is only 5″ by 3.8″ by .6″ thick. It is made of sandstone and resides in the Ohio History Museum, Columbus, Ohio. This artist could not have been more clear in his depiction yet it is displayed on its side and usually is described as a phallic image.

Wilmington Tablet, Ohio History Museum, Columbus, Ohio shown in its correct orientation.

Baal and his twin self are depicted at the top with one tail on the right and twin tails on the left. Central to the image is a massive comet projecting towards Earth. It is so enormous it dwarfs the mountains depicted at the bottom. Recall all of northeastern Canada down to Ohio was once covered by ice mountains two miles high. The swirling shapes to each side of the comet depicts the destruction that followed the impact. Hidden in these swirls are Hittite/Luwian glyphs from the Anatolian region of Turkey. Within every part of this image there are many numbers.

This is the essential and important story this tile relates in a blatantly realistic fashion. What is it that keeps us from seeing this clear depiction of an enormous comet?

The remainder of the message is told through glyphs and numbers. We began with a one tailed Baal and a two tailed Baal, or a comet that split into two. One and two helps us recall there are 12 houses in the heavenly Zodiac. Continue counting by noticing it is actually divided into four panels. The planet can be said to have four quadrants. A square of 4 units to the side has a diagonal of 5.65 units. At the middle horizontal line count across the comet and find 6 lines above but only 5 lines below for 56. Reverse this and obtain 65 or nearly the velocity of the planet at 66624 mph. Similarly, count 6 dot holes on the right half and 7 on the left half for 67. Reverse the number and obtain 76. The period of Halley’s comet is 76 years. Count 9 holes on the upper half but only 3 on the lower half for 93. The average distance between Earth and the Sun is 93 million miles. There is 1 hole in the left lower square and 6 in the upper left for 16. The Earth travels 1.6 million miles in a day. Reverse the number and find 61. There are 60 minutes in an hour and a square of 61 units to the side has a diagonal of 86.3 which suggests the Sun’s diameter of 864 thousand miles. The right side has 3 holes above and 3 below for 33 which gives the maximum change in latitude caused by the impact.

Side view showing double headed arrow on Wilmington Tablet

The 2 holes in the upper left Baal are next to 3 small fingers on the edge for 23. The upper sweeps of the comet’s tail are composed of 3 on one side and 2 on the other for 32. The square of 5.65 is 32. Reverse the number and find 23. Recall the Arctic Circle ends at 23 degrees and 30′ or approximately 23 degrees and 32 minutes.

There is a half circle on the centerline at the top. The tail on that side is one strong piece between two which makes 112. Or count the strong tail line as 1, the half circle as 1 and the other side of the tail supplies the 2 for 112. Above the middle line there is 1 hole below 1 hollow half circle and opposite there are 2 half circles for 112. The bottom left panel gives 1 half circle, 1 dot and 2 loops for 112. Each and every 112 is twice 56.

On the right lower there are 3 dots and 1 half circle for 31. This is pi³. Continue the count from 3,1 and then 5 lines and 1 half circle for 3151 which is close but off. It should be 3141 which is pi at 3.1415.

Surrounding the piece on the narrow edge is an arrow with a doubled arrowhead which repeats the idea of a double comet. A circle with a dot in the center is in the mid-shaft suggesting the crater or the all seeing eye of the north pole. Then it ends with fletching. This end has hash marks that alternate to make 8 per side or 4 per side depending on how it is viewed. Divide the circumference of the planet in miles by 44 and obtain 565.5 miles.

Sketch of Wilmington Tablet from J. Ralston Skinner’s 1885 article.

At the bottom of the piece there is fringe which wraps up the left side. There are 2 on the left, then 10, then 9 to the right. Summing the last two obtain 19. Multiply this by the 2 from the side and obtain 38 which is half 76 or the period of Halley’s Comet of 76 years.

Alternatively, begin with the 9 and affix the 12 to obtain 912 which is just under Earth’s minimum distance to the Sun of 9.14 million miles. If a simple sum of 9 and 12 is taken, find 21 which when multiplied by pi is a hair under 66. The velocity of Earth is 66624 mph.

The next few numbers are important because they are arrived at by using the Inch System of measurement. The dimensions of the piece in inches is 5″ x 3.8″ x .6″. The sum of the length and thickness is 5.6 which repeats 56 again. Twice 3.8 is 7.6 which recalls the period of Halley’s Comet. The sum of the 3.8 and .6 is 4.4. The circumference of the planet is 565.5 miles x 44. Sum 3.8 and 5 and obtain 8.8. A mile is 880 feet times 6.

Before moving on to the glyphs let us take note of all the numbers found on this piece and compare it to the numbers found on prior tablets. Here we found: 12, 16, 21, 23, 23 32, 31, 32, 3, 33, 3.8, 38, 4, 4.4, 44, 5.65, 56, 61, 65, 66, 67, 76, 8.8, 9, 93, 112, 912.

The cumulative list from previous tablets follows. Those in bold were also found on this tablet. 108, 111, 112, 1212, 12321, 14, 1414, 16, 17, 212, 2121, 21212, 2166, 222, 23, 23 32, 23.5, 24, 241, 2486, 26, 31, 32, 33, 333, 34, 40, 43, 44, 52, 54, 56, 56.5, 56.5, 58, 6, 64, 66, 66624, 7, 72, 76, 777, 79, 792, 86, 88, 9, 90, 92, 93.3, 7924 and 8642.

Glyphs for Malleus (hammer or disease), Calleum (heaven), Mille (vast number), and sound 'sa'

Glyphs for Malleus (hammer or disease), Caelum (heaven), Mille (vast number), and sound ‘sa’

Next the artwork is examined to see if any hieroglyphs can be found. Begin with the upper left Baal and find the Luwian/ Hittite symbols for Malleus, Caelum and Mille all joined. The first means a mallet or disease, the second means heaven, and the last which is doubled means a vast number. The image suggests then a disease from heaven in vast numbers or in modern terms: comets and meteorites.

Luwian glyph for Deus (god), glyph number 502, Ala (wing of army), sound ‘i’, and sound ‘sa’

Opposite this we find another Baal which is described by glyphs Caelum #182 (heaven) and the right side is a variation on Deus #360 (god). This symbol is very close to glyph #502 which has no meaning attached to it. The tail repeats the Mille glyph suggesting again a vast number. This is easily translated as ‘gods came from heaven’ and is just another way of saying in modern terms many powerful comets came.

Prophet Symbol

The sweeping tails of the central comet are the feathers on the head of the prophet glyph.

Wing symbol meaning troops – Ala 78

Beneath this in the upper right panel the idea is expounded upon. Glyph # 78 for ‘wing’ is an army wing or troops. It lies above a circle-dot. This suggests the two comets arrived with troops making craters.

Glyph for sound ‘i’

The upper left panel explains more. The first is the upright with the dot for sound ‘i’ found in glyph #209. The two connected circle-dots form two ‘sa’. This ‘sa-sa’ suggests repeated ‘s.’ This spells out i-s-s or the name of the Egyptian god Isis. But it also resembles two Anglo words, ice and sess. The first we understand and the second we hear in sis-ter. Sess is a seat. Ice-sess than implies an ice-seat and so we may hazard to guess that Isis is ‘ice-sess.’ These glyphs are followed by another circle-dot for another ‘sa’ such as we hear in ‘see.’ It is next to the glyph for Caelum or heaven which is connected to the comet or the central pole. Putting this together we have ‘the seat within the ice from which all heaven can be seen at the pole.’ This is the North Pole. A long distant ancestor tells us the meaning of a Goddess in a far distant land with symbols long forgotten and words we still use.

Luwian Glyphs for Halpa (help), sound ‘hwi’, Cornu (horn) or sound ‘su’, and sound ‘sa’

In the lower left panel find the glyph for ‘hwi’ #329 in the two twirls. The original way the word why was spelled was hwy. So it asks very clearly, “Why?” The symbol for Halpa or help lies above it which reiterates the exclamation. Towards the pole is the symbol for ‘sa’ #402. Above this is symbol #108 Cornu meaning a horn with sound ‘su’ probably meaning ‘to sow.’ The sequence suggests “Help! Why! A comet sown”

Glyphs for Lituus (a staff), sound ‘ha’ or ‘pa’, and Malus (evil))

The bottom right panel gives us once again the ‘sa’ for ‘see’ with Lituus #378, a staff. Then there is cross hatching which suggests glyph #224 with sounds ‘pa’ or ‘ha.’ ‘Pa’ begins the words pole, power, and post. While ‘ha’ is the Anglo word ‘heah’ which we know as high. The reversed 3 towards the edge is glyph #368 Malus or evil. Putting this together we have ‘to the seeing staff of the pole on high came evil.’

The image on The Wilmington Tablet is composed of many Luwian Hieroglyphs which tell a story.

This is the same message people on both sides of the world knew, understood, discussed and shared as revealed by their common knowledge of the subject, manner of depiction, and embedded numbers. They ask “Why! On high did this great evil come?”

This leaves the reader still wondering. Could it be? And where? Where is the evidence of this evil? But they tell us. Baal (Deus or god) struck at 56.5 as the Hebrew word for god, Yahweh, echos in its number gematria. Transcribing this word into numbers gives 5,6,5,10 or 56.5. Indeed, further still one must hear the word ‘why’ pronounced the original way ‘hwy’ in the word Yahweh when read left to right or backwards – hewhay.

But we need a second reference to find a location and this they provide. Recall in our prior number list (see Meigs Tablet and Kiefer Tablet) was the number 792 and this is the length of the diagonal of a square of sides 56. It also recalls the diameter of the Earth at 7920 miles. From the line of longitude of greatest displacement they traveled east 79.2 degrees and defined the zero longitude point at Greenwich, England at the same place it is today. This number of degrees was chosen to honor the diameter of the planet. So, reverse their journey! Travel back due west 79.2 degrees of longitude and find the home of Bi-Baal. The reader is encouraged to discover the place for himself. It is summed up by this pun: Holy Bible. Find the holy bible (hole lay bi-Baal) or the hole laid by two Baals.

More to learn about ourselves in upcoming posts.

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November 16, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Lakin A Tablet

The Lakin A Tablet is actually from Point Pleasant, WV near Lakin. The tablet was found by Everette W. Schwartz.

It is just as abstract as the Gaitskill Clay but because we have deciphered that tablet this is easily read. It is a more fluid and evil looking version. Indeed, the message it relates is of a monster that came to Earth and he is shown in the upper left with an angry scowl. His mirror image has been worn away in the upper right.

The central pole has an ominous look and the two feathers of the Prophet symbol #524 are dominant at the top. Thus we have a pole that ‘could tell all.’ At the bottom a small pole protrudes from mountain peaks. There are three peaks on each side for 33. Similarly, counting the 2 feathers at the top first and then the 3 mountains, and then repeating the count in reverse we obtain 23 32 for the latitude of the Arctic Circle which surrounds the pole.

Lakin A at Grave Creek Mound, Art from ancient Ohio

The power in the pole is contrasted by the orderly-disorder of the two mirrored panels. The multiple circles once again suggest a multitude of comet craters. The total count of circled dots is 8. The pole contains 6 slits. Combining these two numbers gives us 86 or a reminder of the diameter of the Sun at 864000 miles and the seconds in a day at 86400. Each side contains 4 circle-dots. Each group of slits contains 3. Combine these and obtain 43 which is another way they noted 86. Reverse the 43 and obtain 34. Recall 34 is twice 17 and that 90 – 34 is 56. The meaning of this important number we have yet to discuss but it has appeared on previously studied tablets. The 4 dots on each side creates 44. The two groups of 3 creates 33. All of these numbers we have seen before on other tablets.

Each group of slits can be counted as 3 or 1,2. This repeats lower giving us 33, 66 and 1212. These numbers we have seen before.

Symbol from Hittite Hieroglyphs called Sol or the Sun

Projecting out of the center of the pole on the right side but not found on the left are two distinct lines that represent ‘ra’ in the Luwian Glyphs. The central pole is definitely Sol in the glyphs or symbol #191. This small depiction of the glyph from the Mnamon web page mimics closely the design used in the tablet. No sound is associated with this glyph. We shall take the leap that it is ‘po’ or ‘pa’ since these are the initial sounds in pole, post, and power. Combining ‘ra, ra’ and ‘pa’ two words come easily to mind. Ra as in ‘ray’ of the Sun and the name of the Egyptian Sun God is one such word. The second is rope. Ropes have been historically used by surveyors. A rope is a unit of length of 66 feet or 792 inches which should look familiar to this tablet/number study. The idea that ‘ra rap’ (ray-rope) actually appears here is consistent with the idea that the pole is the seat of measure. (Note that the rope’s length in the English system of measure recalls both the velocity of the planet and its diameter.)

If the two sounds ra and pa are reversed, instead of obtaining rope we create ‘pair.’ In fact all navigation still to this day is based on a ‘pair’ of poles. The first pole is true north. The second pole is magnetic north. The suggested reading of these tablets is that they relate that the pole moved. Perhaps they had first hand knowledge of a shift of magnetic north away from true north and that the cause was a comet.

The hands of the Gaitskill Clay Tablet are here seen as eyes with eyebrows. They are the upper most circle-dot with 5 fingers. It might be fairer to say four of the lines are on the eyebrow and one projects straight off the circle-dot for a total of 5. Projecting from the lower side are 2 lines. This gives us 52 and 7. As in the Gaitskill Clay we note these represent days in a week and weeks in a year. If the brow is divided up into 1 and 4, we obtain both 14 and 241 which were found in the same position on the Gaitskill Clay and suggest numbers 56 and 58,000. The latter recalls Earth’s yearly orbit through the heavens of 584 million miles.

Glyphs for Prophet, ‘ra’, ‘ta’, and ‘ma’ sounds

Glyphs for Flame, Cornu or ‘su’, Via, Super, Heaven, and Deus or god

The circle-dot in the Luwian Glyphs represents the sound ‘sa’. The brow shape with the upward strokes is found in Glyph #172 and has sound ‘ta.’ ‘Ta-sa’ does not sound all that familiar yet it suggests the word ‘tease.’ In Anglo it was ‘teosu’ meaning harm. If the line off the circle which is not on the brow is interpreted, then we have ‘ra’. Pronouncing ta-sa-ra we have both the old and modern word tessera which is a tile (such as ceramic) or a grid square as found on a map, or as found in the object under examination! The upper circle-dot is connected to the next one and that provides the sound ‘sa’ again. What is tessera-sa? Tessarace. A tessarace is the summit of a four sided pyramid. The summit of the Earth once divided into mapped tiles is the North Pole.

On the left side of the lines joining the upper circles is a triangle. This appeared at the top of the Gaitskill Clay and is interpreted as a sword, or eye of Baal. The loop off the second circle that curls towards the pole is the symbol Super #70 which means above. Enclosed within the lines is Flammae (flame) symbol #477. The two curled tails off the eye-brow shape form the glyph #110 for ‘ma’. In Anglo ‘ma’ means ‘more.’ The half circles on the sides of the center pole also create the glyph #182 Caelum which means Heaven or #360 Deus which means god. These ideas complete the picture of a dangerous flaming comet above.

Location of Luwian (Hittite) Glyphs from ancient Turkey imbedded in art of Lakin A Tablet from ancient Ohio

The bottom left circle-dot gives 23 32 in the same manner as the Clay Tablet. It also shows 222. The lowest circle shows 4 lines as does the one above it. Recall a square of sides of 4 has a diagonal of 5.65. Both of the mirrored lowest circles are positioned at the base of the pole as if to strike there. Pausing to examine this lower set for expressed words we find ‘ra-ra’ and ‘sa-sa.’ Ra-ra suggests the words rear (raer) or roar (rar) in Anglo. While ‘sa-sa’ repeats the idea of ‘sess’ or seat. The two V lines also represent the glyph Via #221 and means ‘path to.’ Above the lowest circle-dot is an enclosed shape that represents glyph Cornu #108 which has sound ‘su’ and means horn. In Anglo ‘su’ means sow, to plant. This is all consistent with reading the circle-dots as a progressive story.

Reading the four circles from top to bottom then we have a large ‘harm,’ a comet, with two long flowing tails above flying through the ‘tiles’ of ‘heaven.’ It has ‘more’ wings or troops traveling with it. It is a flaming danger from above. It draws near where it is clearly seen to have two tails. It ‘roars’ toward the ‘seat.’ Where they ‘sow’ themselves. They strike at the ‘ray rope,’ the pole in the mountains.

This is an extremely complicated story which we are able to translate because of the years of labor done to decipher the 14th to 13th century BC Hittite documents of the Anatolian regions of Turkey. The Lakin A Tablet and the other Adena Tablets tell an extraordinary story of our history in the not too distant past during the age when ice laid over Canada and Ohio. It is from a time when Ohio first became inhabitable and adventurers came to see for themselves and exclaim in angst that it was true. Their eyewitness accounts pass through the ages to us. We have ears to listen but can we hear?

That Europeans were coming and going from this continent (and vice versa) is evident by the shared language, symbolism and measuring system. That we cannot comprehend how they could have measured longitude, latitude, and planets so accurately is not their error in understanding but ours. They cannot be made to be just ‘cavemen in the stone age’ just because we are grossly ignorant. After all, they are relating that the Earth was struck by an enormous comet. If a large comet struck us today, Walmart would be empty forever in a few hours. We too would be fashioning hammers from stones and making every effort to remember the diameter of the Sun and the Earth and telling wild myths to future generations of men who walked on the moon.

Yet to be reviewed are the stunning Wilmington and Cincinnati Tablets, the mysterious Bainbridge, and McKenzie Mound Tablets, the Ramey Peet Tablet from Cahokia Mound, the way too accurate Gridley Stone, the beautiful Ohio Adena Pipe now a Ohio State symbol, and the Hopewell Shaman – Bear. Many interesting posts are to come.

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Hudson Bay as a comet crater of recent origin.

October 5, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Waverly Tablet

Art from ancient Ohio – The Waverly Tablet

The Waverly Tablet was created by an artist with a very skilled hand. The image is clear, sharp and symmetrical. It is located in the Cincinnati Art Museum.

The tablet displays the four panel style with the center bar which by now we understand immediately. In fact there is little about this tablet that the reader cannot discern for themselves. In the upper left Baal, the comet, appears in its two tailed form. The man seems to exclaim ‘oh’ or ‘no!’ upon seeing it. In this image his mouth forms the round empty crater. His face spells out wa-ur (where) just as in the Low Tablet. The pole is represented with a rounding at the top and bottom. The bottom gives a very definite negative shape like water waves or mountain peaks. I suggest it is the latter since the story relates to a prior era when great ice mountains laid over Ohio so heavily it was 800 feet lower in elevation and completely uninhabitable. It is also suggested by the name of the goddess Isis which was studied in Berlin Tablet post. There it was suggested Isis means ‘ice-sess’ or ‘ice-seat.’

On the right side there is disarray as two people ornately designed to double as flowers lie dead, shot through the head as if to say all was destroyed. The short bar at the top provides a sound. It appears to be symbol #383 or ‘ra’. The center bar is a form of ‘I’ and combining them we have the word ‘i-ra’ which remains unchanged through the centuries. It is ire or anger which is appropriate to the scene. Anger was clearly portrayed in the spider-like Gaitskill Tablet. ‘Ire’ also means to wander. So, it doubly suggests movement of the pole.

Numbers are supplied by punch marks and the four panel layout. We find 1, 4 provided by the layout and 4 x 14 = 56. In the top left panel there is 1 punch. The face panel provides 3, the upper right provides 2, and lower right provides 3 for a total of 9. This provides the 9 in 792. The two dots on the bar provide the 2. The remaining 7 are in the images. Hence, 792 is found.

On the left side between the upper-lower panels is a punch provided in the negative which allows 23 32 to be found on both halves. The short bar at the top provides 1, the bar 1 and the two dots complete 1,1,2. Each flower person provides 1,1,2 by using the dot, the head and then the two arms surrounding each head. If the bulb of the nose is counted as 1 then the left side provides 6 and the right side 5 for 56. The upper most center dot gives 1, the lower dot 1 and the sides of the bar gives 2 for 1,1,2 again or 2 x 56.

On the right side if the dots are counted left to right from top to bottom a group of 3 is found followed by 2. Reading from bottom to top there are 3 lines of 3 for 333. This number we have seen many times on the tablets. There are 9 distinct dots. If the nose and negative dot are added to the sum there are 11 or write this as 92. The latter suggests the distance Earth lies from the Sun. Or if you prefer 29 and this is half of 58. The distance Earth travels in a year is 584 million miles.

The Baal panel, upper left, seems to provide a line on the left which might have formed a dish or crater. This would have then given 1,1,2 as 1 crater, 1 eye, 2 tails.

The tablet measures 3 3/8 x 2 5/8 x 13/16 inches. The sum of the sides is 6 inches. The area of the face is then 8.86 sq. in. and a volume of 7.2 cubic inches. The product of 6 and 88 is 528. There are 5280 feet in a mile. The tenth mile appears at earthwork sites such as Newark. The diagonal calculates to 4.3 inches and twice this is 8.6.

These are all numbers we have seen before but their importance is contingent on the inch being in use by the artist. The ratio of the side lengths however eliminates units. The ratio is .777 which is significant.

Since this tablet portrays so many numbers it might be time to recall the number list and update it. The updated list includes: 108, 111, 112, 1212, 14, 16, 17, 212, 21212, 2166, 222, 23, 23 32, 23.5, 24, 241, 2486, 26, 31, 32, 33, 333, 34, 40, 43, 52, 54, 56, 56.5, 56.564, 58, 6, 66, 66624, 7, 72, 76, 777, 79, 792, 86, 88, 9, 90, 92, 93.3, 7924 and 8642. Now that they are getting easy to read let us try something a wee bit more complex.

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See David Penny’s Article on these stones here.

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September 14, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Low Tablet

Low Tablet. Art from ancient Ohio.

The Low Tablet was found by Edward Low in Parkersburg, West Virginia and can be viewed at the Ohio Historical Society. Its message provides a important link in understanding the symbolism on other tablets.

Center stage and in mirror image is a man with a distinctive hat made of two side appendages. Most would call him a shaman or medicine man. He might be more appropriately called a Prophet. This is the name of the Luwian (La Angle) Hieroglyph from ancient Turkey (3000-2000 BC) that portrays the same concept – a man with a hat with two appendages which appear to be feathers in a flame shape- is #524 Propheta. The idea that great leaders on far sides of the planet wore feather hats is easily accepted. That they are depicted as adorned by -two- feathers in opposite directions is interesting.

Prophet Symbol

We find as usual the symmetry in the design and the appearance of the two eyed, two tailed Baal portrayed in each corner which confirms the topic. On each side of the prophet’s head we find two comets lying in their nests or, more aptly described, craters. If we focus directly on the face of the prophet we see the nose-forehead is a sort of upright object. At the ear positions are short strong straight lines. Similar lines above and below the faces give the impression of the cardinal directions. The chin is etched in as an over accented cup and looking at the face again we see the nose is then the comet and the chin is its crater. The feathers upon the head are then the two tails of the comet which suggests why the Anatolian Luwian glyph for Prophet has just two feathers in his hat. The remembrance and discussion of a two tailed comet appears to have been worldwide. That the conversation spanned two hemispheres is evident by the similar symbols.

Symbols ‘wa’ and “Magnus’

The face suggests with its nose pillar and two eyes, symbol #439 with sound ‘wa.’ The deep chin suggests Magnus or great, symbol #363 which has sound ‘ur.’ Sounding out this simple word creates wa-ur in which we cannot help but hear ‘where.’ For sure, this is just what the interpretation suggests. When we hear of two comets striking Earth, we immediately ask, “Where?” Presumably the image answers the question it asks.

Ala 78

Wing Symbol (Ala) on Lowe Tablet

There is another important glyph here that appears on other tablets. Symbol #78 Ala meaning ‘wing of army’ is shown. The wing of the Army of Baal can be none other than meteorites and other smaller masses which accompanied the comet that changed the world. Each wing is formed by four bars. Each section has two end to end Baals, four bars in the wing and the center line creates 2,4,1 or 241 which reminds us of the 24 hours in a day, 24 hours of longitude and that 241 x 241 = 58081. This number 241 provided the layout for the insect shape of the Gaitskill Stone Tablet. The distance Earth travels in a year around the Sun is 584 million miles.

The center bar repeats the idea of two and within it is found the series of numbers marked by diamonds 1,4,1,4,1 which when multiplied by 4 is the number 56564. The number is also the square root of 2. ( 2 = 1.4142 x 1.4142) This reminds us that a square of side 4 units has a diagonal of 5.65 units. The number is obtained by multiplying 4 times this pattern 1.4141. The series also creates the sum 11.

The overall layout of the piece is 2 (Baal at the top), 3 (craters and face), 1, 3, 2. This gives again the 23 32 pattern about a central pole. The doubling of the face suggests two such places that are identical or that the pole moved. Perhaps this answers the question “Where?” The comet struck at the original pole which caused it to move.

The number 2 is portrayed everywhere. The meaning of Deus in Latin is god while the meaning of duo is two. The glyph which represents Deus in the Hieroglyphs is a circle divided in two. Two Baal, a symbol split in two, Deus meaning god and duo meaning two all suggests a strong relationship between them. Or perhaps we should use the word ‘bi’ instead for two and confirm there are Bi-Baal at the top and bottom of the image. Each Baal has two tails so that 2,2,2,2 is created top and bottom which sums to 8. The total sum is 16 and the distance Earth travels in a day is 1,600,000 miles.

Across the face portion there are 2 Baal, 1 line (at the ear), 2 eyes, 1 line, 2 Baal which makes 2,1,2,1,2 or exactly the pattern displayed by the Grave Creek Tablet. The sum of 2,1,2,1,2 is 8. Interestingly 21212 x pi is 66637. The velocity of Earth is 66624 mph. However, pi which equals 3.1415 is not represented, or perhaps it is! Those 2’s at the top created 2222. A square of sides 2222 has a diagonal equal to pi x 1000.

The center bar also provides 56. Counting diamonds left to right, count five and stop at the middle and then from the middle to the far side is six. The four dots on the top panel are complemented by four dots on the bottom panel which represent the number 44. Divide the circumference of Earth in miles by 44 and obtain 565.5 once again. The numbers then are consistent from tablet to tablet and were not randomly chosen which reinforces that they are intrinsic to understanding the message and the culture.

What else might these tablets tell us about ourselves and what is missing from the history books?

The Waverly Tablet has the same little man face so we study it next.

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August 2, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Berlin Tablet

The Berlin Tablet of Ancient Ohio

The Berlin Tablet is unique in its shape but not its message. We begin by comparing it to artwork found at Knowth, Ireland. Kerbstone 86 depicts a strong image and a familiar shape. This stone was studied in a prior post but here the symbolism repeats in a totally different place. If one were to draw a bold outline around each lobe of the Berlin Tablet the same strong U shape appears. The line through the middle of the kerbstone has a dot on each side. The line through the middle of the tablet has a dot on each side. The kerbstone is considered to be 5000 years old and sits half a world a way. Like the Odd Little Purse in Olmec and Assyrian Art there is an obvious connection here.

Symbols #439 ‘wa’ and #363 ‘Magnus’

This symbol in Luwian Hieroglyphs is #363 Magnus meaning ‘great’ with sound value ‘ur’. Exactly as in Kerbstone 86 it is doubled and so we have ‘great-great.’ Another way to look at the doubled symbol is to consider the one opening down as Magnus or great, and the opposite opening up as a crater. Then the statement is ‘great-crater.’ This is wholly consistent with the idea of comets.

Sketch of Kerbstone 86

Studying the image on the stone gives us once again something for the uninitiated. It looks like a bird with a very distorted eye next to a little tree. Here then is exactly what we saw in the remaining half of the Wright Tablet. The double tailed comet appears as the head. The odd eye is then a doubled eye within a comet which is flying towards a tree. This tree could be called the tree of life or the polar axis through Earth which is directed towards the Pole Star. So then we have a great-comet headed towards the great-tree.

Within the tree is a similar shape as we saw in the nest portion of the Wright Tablet. Here it has seven strong lobes on the exterior and two on the interior plus the handle. Closer inspection reveals a lobe in the middle which is inwards so the inner image is the series 1,1,2 or twice 56. The total number of lobes is 9 so divided to make 2 and 7 or the number 792 which we recognize as the diameter of the planet. The number 72 is significant in relation to the polestar since precession causes the direction to which the axis points to change over time at the rate of 1 degree per 72 years.

Just below this inner shape is a circle. It is none other than the ‘sa’ symbol that has been consistently found in the other tablets. Below it and acting as a mirror to it is another ‘sa’ circle across the central line or pole. It has been suggested that two ‘sa’ refers to the word ‘sess’ meaning ‘seat.’ Perhaps seeing them as ‘es’ makes it easier to hear. But if one listens carefully to ‘es-es’ not only can the Anglo word ‘sess’ be heard but it sounds remarkably like Isis. Taking this one step further, the first syllable of Isis sounds exactly like the Anglo word ‘ice.’ And then if the subject has not been taken too far we might hear ‘sess’ in the name of the King of Egypt ‘Ramses’. This word is spelled in Ancient Egyptian as ‘r-m-s-s’ making it entirely possible the last two s’s are pronounced ‘sess.’ Although, it appears we have strayed off topic it is pertinent to the discussion to note that the Anglo word for border or number is ‘rim.’ This then implies that in Old English the name Ramses pronounced as rim-sess means ‘number-seat’ and Isis is ‘ice-seat.’

The two circles that inspired the above and the bar create another hieroglyph (#439) with sound ‘wa’ which was also central to Kerbstone 86. The meaning of ‘wa’ in Old English is woe. Pushed further to the left is another ‘sa’ circle so that once again we find 1 circle, 1 line, 2 circles for 112 or twice 56. The artist was thorough in expressing 112 for along the lower side of the bar are two jut outs that create 1,1 and then 2 circled circles.

What then is the rest of the distorted image? Spending time counting it seems futile for it is truly a mess and that is probably the full intention of the artist. But careful study reveals 2’s and 3’s and these numbers have been seen in the other tablets as 23 32 and 23.5. They imply the limit of the Arctic Circle. So then, the great comet strikes the polar tree, the sess, seat of all measurement. A great-crater forms. It was woeful as all was destroyed. The world is literally a mess. This is the same message as found in the New Hampshire Mystery Stone, the Newark Earthworks, and Aberlemno Stone of Scotland. They tell the story of a comet impact. They even allude to the correct shape of the Earth in the overall shape of the stone with the new pole north-south as we know it today.

Comments have been made in relation to these posts that this sort of an impact would have killed nearly all life on the planet and therefore it is impossible for these artists to be relating something so fantastic. But this is what the artist shows – devastation of unimaginable proportions. It does not require this artist to have lived through it. Indeed, mythological and actual history report that few life forms lived through the deluge as confirmed by the massive skeletal debris piles found on various continents. These events were witnessed and survived by a few people, perhaps those out of harm’s way on the far side of the world. They recorded it as strange images such as “The Venus of Willendorf.” Their children, spurned on by legends of their grandparents, later came to view the destruction and pay homage to vanished civilizations and life. Some remained behind to restart civilization on the American continents and others returned to their homelands having viewed the devastation firsthand.

Perhaps the Gaitskill Stone Tablet will prove this all wrong!! It’s cartoon-ish features are of a fearsome spider.

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Posts on: Allen Tablet, Grave Creek, The Kiefer Tablet,

Metcalf Stone, and pdf article on

Hudson Bay as a comet crater of recent origin.

July 13, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Wright, Lakin B and Meigs Tablets

Art from Ancient Ohio- The Wright Tablet

Art from Ancient Kentucky- The Wright Tablet

A portion of the Wright Tablet is shown. It was found in Montgomery County, Kentucky and it appears so dramatically different from the other three tablets previously studied that they seem unrelated. Hence, other authors have described them as different in style and content. In due course we shall see that the difference is a result of artistic choice and the message is the same.

This tablet when viewed on its side as shown, looks deceptively like a bird with a vertical eye, beak, neck, and body. It also seems to be positioned above its nest. The deception is probably intentional to mislead the uninitiated. The initiate would see that the egg in the nest looks remarkably like an eye. The eye is surrounded by something that has a tail. In fact a comet also has an eye, is surrounded by matter and has a tail.

Caelum Glyph – Heaven

The bird head has a similar feature and the beak forms two tails. Indeed, this vertical eye looks remarkably like the Luwian Hieroglyph Caelum, symbol # 182, which means heaven. It has no associated sound. A comet can be described as a bird from heaven.

Glyph 209 for sound i

The line in the middle was represented in the Grave Creek Tablet as the center area with two rhomboids. We can see it as symbol #209 which has sound ‘i’. Attached to the bar is a circle with a dot in it which we associated previously with ‘sa’ from symbol #402 Scutella meaning shield. Sa-i or i-sa can be created by these two sounds. Eventually we will find both are appropriate. The first suggests ‘see’ and the second ‘ice.’

The first impression is that this tablet is devoid of numbers in contrast to the Kiefer Tablet. However, the ‘sa’ circle provides us with 1, the bar’s black hollow area is 1, and the two sides of the bar creates 2 or 112 appears once again. The bird’s head also provides 112. The area to the left of the vertical eye is shaped to create a dot, the eye forms 1 and the tail forms 2. The nest area also provides 112. The eye is 1, the tail is 1 and there are two lobes on the loop surrounding the eye. There appears to be twelve lobes on the exterior of the nest but the right edge is too worn to confirm this. If it is 12 then the ‘sa’ provides 1 and the 12 completes the number to create 112. Counting dots and circles across the image gives 1,1,1. Including the bird eye in the count gives 1,1,2. Recall 112 is 2 x 56.

This bird head symbol is identifiable in the Meigs County Tablet and Lakin B Tablet. The Lakin B Tablet is a photo from Ohio Archaeologist and the image on the right is from David Penny’s report. (See below.) The location of the Meigs tablet is unknown. The Lakin Tablet is part of The Everette W. Schwartz Family Collection. Both tablets consist of an eight panel layout except the Meigs squeezes in the double central image which will be dominant in the Cincinnati Tablet (future post). However, the artist preserved the 2 x 4 layout. The number 2,4,8 is apparent here and what is 248 but a reminder of the circumference of the planet at 24868 miles. Taking this one step further, by squeezing in the two extra panels the Meigs records the series 2,4,8,6 which makes the comparison stronger. Or it can be said it records 8,6,4,2 as was noted in the Grave Creek Tablet and it relates to the diameter of the Sun at 864,336 miles. There is no suggestion here that the artist or society was able to measure the planet or the Sun just that they were taught the numbers and their importance in the very same way the average person is today.

Lakin B on left and Meigs Tablet on right.

The Lakin B Tablet is actually from Point Pleasant, WV near Lakin. The tablet was found by Everette W. Schwartz. What is apparent is that the Lakin B appears to be instructional as if someone created the tablet to explain an event and we can almost hear s/he speaking to us. The Meigs (from Meigs County, Ohio) tablet upon close inspection seems to relate the same story but slightly more stylized and with hash marks in the bottom left indicating numbers were inherent to the story. If the image is accurate the number 792 is easily counted out. Counting the full set as 9 and then counting left to right to the largest mark is 7 leaving 2. The Kiefer Tablet noted 79-24 and which reminds one of the diameter of the planet.

Examination of the bottom left of the Lakin B reveals scallops on the figure that appear to count out nine with two on one side of the figure and seven on the bottom which may also create 792. Or indeed, there is no reason to exclude the number 279 which also relates to astronomical measures. The distance to the asteroid belt which lies beyond Mars and encircles the four inner planets is 2.79 Astronomical Units (ie. 2.79 Earth to Sun distances). Taking this useful set of numbers one step further, they also make 29.7 which is the longest period in days between full Moons and is the diameter of the Earth in reverse.

A good idea as to what story these tablets relate might be found by reviewing the easily read Metcalf Stone.

Next we follow the bird head and it takes us to the Berlin tablet.

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Hudson Bay as a comet crater of recent origin.

May 16, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Allen Tablet

There are about a dozen small stones decorated with art that are called the Adena Tablets. They were found in various places throughout Ohio and in neighboring states. Sometimes they were found lying on the surface of the ground, but most often they were associated with mound sites. There are several persons who have published translations such as David W. Penny in the Mid-Continental Journal of Archaeology in 1980, J. Ralston Skinner in the Cincinnati Society of Natural History in 1885, (Note the time span.) and Duncan Caldwell in 1997 in Ohio Archaeologist.

A new way of reading them will be suggested here. So, we begin with the easiest only because it is so obscured by time there is virtually nothing left and ultimately we will be reading such beautiful art as the Ohio Adena Pipe, now a Ohio State symbol, and the Hopewell Shaman – Bear. Check out the links at Ohio History to see these items.

The first reading is of the Allen Tablet as shown in the sketch. (No better image was found.) It is unclear if David Penny drew this or if he took it from Ellis H. Holmes’ 1944 article. Either way, all that can be seen is six circular blurbs. The original is long missing so there is no way to verify its design further. Penny reports it is made of sandstone. It is only 2″ wide and 3 ½” tall so it easily fit within the palm of a hand. These were often covered with red ocher and some suggest they were used in printing or laying on designs. Based on reading Lena Lenape Indian traditions, it is possible the red ocher was used to make them more beautiful and to make the designs leap out.

So, …. how is it this stone just happened to be 2″ by 3 ½” ? Of all the random sizes available how did the artist just happen to use measurements that fall so close to standard English inch sizes? We shall examine this topic closer in the future. Also note it was 3/4 of an inch thick and then observe the numbers as noted in the diagram that can be made from these dimensions: 7, 34 and 23.5.

From the art itself other numbers can be created just by counting the circular blurbs. Find: 23 32, and 56. The most obvious should be noted: three circles and three circles creates 33.

These are seemingly six random meaningless numbers, yet we see 34 + 56 = 90 and there are 90 degrees from the equator to the pole and 90 degrees in each quadrant of direction North to East, East to South, etc. Degrees are composed each of 60 minutes and 23.5 degrees can be written as 23 degrees 30 minutes which looks remarkably like the 23 32 obtained from counting blurbs. The Arctic Circle is defined by this latitude.

Seven we realize is the number of days in a week but there is no way these people also had seven day weeks or perhaps they did. Either way, seven is of great importance throughout a vast number of old world religions.

But we saw this 23 32 before in the Newark Earthworks. And we saw it in the Scottish Pict’s Aberlemno Stone. We also saw 56 in both of those and we found 34 there as well. Could this art lend credence to that strange tale related about the validity of the Newark Decalogue Stone?

Perhaps…. this is more Baalist artwork. But what does it all mean?

The mystery unravels further one stepping stone at a time.

Index to posts on Adena Stones and beginning post:

Metcalf Stone

Next post on Grave Creek Tablet, and pdf article on

Hudson Bay as a comet crater of recent origin.

March 12, 2014 by Gilgemesh

The Ancient Secret Hidden in Noah’s Age

The meaning of Noah’s age can be understood by relating it to astronomy and the most important numbers related to Earth: its diameter, the distance it travels in a year and its distance from the Sun.

Darren Aronofsky’s new movie “Noah” will be released this month. One does not have to believe the story to wonder about it. Indeed, wondering about it includes questioning the age to which Noah lived. The image above solves the riddle but leaves us still in a state of disbelief.

If we accept the premise that the ages of Noah’s fathers gives us Earth related values, then we must ask how did they determine these values in the first place which have been calculated only recently by our finest scientists? This suggests there previously existed a society upon this planet which had achieved a high level of scientific achievement and someone was determined not to let this knowledge be lost. In fact, the story of Noah relates just such an idea, the demise of the world‘s entire civilization. In contemplating this mystery one should consider we still use the Sumerian’s system of time measurement and the forerunner to the Noah story existed in their society.

So then, we are forced to give up the absurd idea of giants and men living ten centuries and we must trade it for an even more fascinating mystery. Unless one has accurate knowledge of these values it is impossible to reveal the secrets of the Old Testament (or Torah). This then is how this secret has alluded us for so many centuries. What had originally been created to help keep the memories of the sages strong and accurate became a mystery to us. This also proves despite fervent use of the sword through the centuries to eradicate this knowledge, the pen is still mightier.

The mystery is not gone. It lays before us rich and deep. We need no boat large enough to contain all animals, nor the gravelly, steady voice of Russell Crowe to make it true. We need only appreciate the Earth and recognize that it is the only vessel large enough to carry all which lives around the Sun for a full year, year in and year out.

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March 2, 2014 by Gilgemesh

New Hampshire Mystery Stone Photos

More photos to help you see the new Hampshire Mystery Stone. Click on the image to get a better view!

New Hampshire Mystery Stone: Using two mirrors the museum display allows more symbols to be viewed.

For those seeking more information on North American language and writing systems, “The Lenâpé and Their Legends: With the Complete Text and Symbols of the Walam Olum,” by Daniel Garrison Brinton, 1885 should be of interest. This book has been re-published beautifully by Bibliolife. (A sample page is at the bottom.)

The Lenâpé, also known as the Delaware Indians, wrote in hieroglyphics as did many other tribes in North America. Unbeknownst to many, the Cherokee symbols used today did not originate after the Europeans arrival but was in use prior to their influence. Barry Fell documents in his book “America B.C.”, 1989 edition, the comparison of Micmac symbols to Egyptian Hieroglyphs, and symbols found in Iowa and Long Island to both Libyan and Egyptian. This book is packed with epigraphic documentation throughout America that demonstrates extensive interaction between Celts, Libyans, Egyptians, Chinese and other distant places with the Americas. Very little of the North American early written traditions have survived making this book an important record. The majority of their documents were inscribed on perishable mediums as is still done the world over today (including these very words!) which makes this beautiful little stone seem like an oddity. It is commonly believed that the written word was never used by native people. Yet, Brinton reports that letter writing was as common among these people as it is presently.

Evidence of interaction between these ancient cultures can be seen here. Retained in the words of the title “Walam Olum” are two important words. Brinton (pg. 104) explains the root word ‘wul’ means pleasurable sensation and so ‘wulit’ means well, good, handsome, ‘wuliken’ means it grows well and ‘walam’ is red ochre which they found very beautiful. The resemblance to the word ‘well’ is unmistakable.

‘Olum’ means score written on paper, bark or hide. In Modern English, ‘vellum’ means paper usually of a finer quality. This word comes to us from Old English ‘waelrûn’ meaning a song about death. (R and L are not always distinguished by native speakers in the same way Japanese cannot pronounce V’s.) The similarity is clearer in words such as ‘wail’, ‘wallow’ and ‘wailfyll’ or awful.

The bottom side of this small stone has a hole drilled into it which is both symbolic and functional. It allows the stone to be set on a stick for display and use during ceremonies.

As reflected in the lower mirror. A closer view of the bottom of the stone.

The perfect image of an ear of corn is shown. Corn has a long history of appearing in religious images. It can be found in Indonesian art as well as Assyrian art. We must not forget the Roslyn Chapel, Scotland! Its perfect rows demonstrate the idea of latitude.

Another shot of the corn side. Notice the side view of the face reveals the stone was rounded before the images were carved.

Yet another view of the corn side. The empty perfect circle is directly opposite on the far side from this circle with drowning figures.

Front side of New Hampshire Mystery Stone: Are these eyes wide open? Are these eyes that are closed in contemplation? Is this a person who is bundled up warmly? Or….has this person drowned and now floats in water?

A page of the “Walam Olum” showing the hieroglyphs, the words of the story as they would be read or sung, and a translation by Brinton. He further understood each sign was traditionally accompanied by hand gestures.

“The Lenâpé and Their Legends: With the Complete Text and Symbols of the Walam Olum,” by Daniel Garrison Brinton, 1885.

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Great Serpent Mound of Ohio

Without commentary….. a video on the Great Serpent Mound Earthworks in Southern Ohio.

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Is an old mystery. We are about to look at it from a whole new angle.

Category Archives: Religion

The Adena Tablets of Ancient Ohio – The Wilmington Tablet

The Adena Tablets of Ancient Ohio – The Lakin A Tablet

The Adena Tablets of Ancient Ohio – The Waverly Tablet

The Adena Tablets of Ancient Ohio – The Low Tablet

The Adena Tablets of Ancient Ohio – The Berlin Tablet

The Adena Tablets of Ancient Ohio – The Wright, Lakin B and Meigs Tablets

The Adena Tablets of Ancient Ohio – The Allen Tablet

The Ancient Secret Hidden in Noah’s Age

New Hampshire Mystery Stone Photos

Great Serpent Mound of Ohio