December 6, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Wilmington Tablet

The Wilmington Tablet is only 5″ by 3.8″ by .6″ thick. It is made of sandstone and resides in the Ohio History Museum, Columbus, Ohio. This artist could not have been more clear in his depiction yet it is displayed on its side and usually is described as a phallic image.

Wilmington Tablet, Ohio History Museum, Columbus, Ohio shown in its correct orientation.

Baal and his twin self are depicted at the top with one tail on the right and twin tails on the left. Central to the image is a massive comet projecting towards Earth. It is so enormous it dwarfs the mountains depicted at the bottom. Recall all of northeastern Canada down to Ohio was once covered by ice mountains two miles high. The swirling shapes to each side of the comet depicts the destruction that followed the impact. Hidden in these swirls are Hittite/Luwian glyphs from the Anatolian region of Turkey. Within every part of this image there are many numbers.

This is the essential and important story this tile relates in a blatantly realistic fashion. What is it that keeps us from seeing this clear depiction of an enormous comet?

The remainder of the message is told through glyphs and numbers. We began with a one tailed Baal and a two tailed Baal, or a comet that split into two. One and two helps us recall there are 12 houses in the heavenly Zodiac. Continue counting by noticing it is actually divided into four panels. The planet can be said to have four quadrants. A square of 4 units to the side has a diagonal of 5.65 units. At the middle horizontal line count across the comet and find 6 lines above but only 5 lines below for 56. Reverse this and obtain 65 or nearly the velocity of the planet at 66624 mph. Similarly, count 6 dot holes on the right half and 7 on the left half for 67. Reverse the number and obtain 76. The period of Halley’s comet is 76 years. Count 9 holes on the upper half but only 3 on the lower half for 93. The average distance between Earth and the Sun is 93 million miles. There is 1 hole in the left lower square and 6 in the upper left for 16. The Earth travels 1.6 million miles in a day. Reverse the number and find 61. There are 60 minutes in an hour and a square of 61 units to the side has a diagonal of 86.3 which suggests the Sun’s diameter of 864 thousand miles. The right side has 3 holes above and 3 below for 33 which gives the maximum change in latitude caused by the impact.

Side view showing double headed arrow on Wilmington Tablet

The 2 holes in the upper left Baal are next to 3 small fingers on the edge for 23. The upper sweeps of the comet’s tail are composed of 3 on one side and 2 on the other for 32. The square of 5.65 is 32. Reverse the number and find 23. Recall the Arctic Circle ends at 23 degrees and 30′ or approximately 23 degrees and 32 minutes.

There is a half circle on the centerline at the top. The tail on that side is one strong piece between two which makes 112. Or count the strong tail line as 1, the half circle as 1 and the other side of the tail supplies the 2 for 112. Above the middle line there is 1 hole below 1 hollow half circle and opposite there are 2 half circles for 112. The bottom left panel gives 1 half circle, 1 dot and 2 loops for 112. Each and every 112 is twice 56.

On the right lower there are 3 dots and 1 half circle for 31. This is pi³. Continue the count from 3,1 and then 5 lines and 1 half circle for 3151 which is close but off. It should be 3141 which is pi at 3.1415.

Surrounding the piece on the narrow edge is an arrow with a doubled arrowhead which repeats the idea of a double comet. A circle with a dot in the center is in the mid-shaft suggesting the crater or the all seeing eye of the north pole. Then it ends with fletching. This end has hash marks that alternate to make 8 per side or 4 per side depending on how it is viewed. Divide the circumference of the planet in miles by 44 and obtain 565.5 miles.

Sketch of Wilmington Tablet from J. Ralston Skinner’s 1885 article.

At the bottom of the piece there is fringe which wraps up the left side. There are 2 on the left, then 10, then 9 to the right. Summing the last two obtain 19. Multiply this by the 2 from the side and obtain 38 which is half 76 or the period of Halley’s Comet of 76 years.

Alternatively, begin with the 9 and affix the 12 to obtain 912 which is just under Earth’s minimum distance to the Sun of 9.14 million miles. If a simple sum of 9 and 12 is taken, find 21 which when multiplied by pi is a hair under 66. The velocity of Earth is 66624 mph.

The next few numbers are important because they are arrived at by using the Inch System of measurement. The dimensions of the piece in inches is 5″ x 3.8″ x .6″. The sum of the length and thickness is 5.6 which repeats 56 again. Twice 3.8 is 7.6 which recalls the period of Halley’s Comet. The sum of the 3.8 and .6 is 4.4. The circumference of the planet is 565.5 miles x 44. Sum 3.8 and 5 and obtain 8.8. A mile is 880 feet times 6.

Before moving on to the glyphs let us take note of all the numbers found on this piece and compare it to the numbers found on prior tablets. Here we found: 12, 16, 21, 23, 23 32, 31, 32, 3, 33, 3.8, 38, 4, 4.4, 44, 5.65, 56, 61, 65, 66, 67, 76, 8.8, 9, 93, 112, 912.

The cumulative list from previous tablets follows. Those in bold were also found on this tablet. 108, 111, 112, 1212, 12321, 14, 1414, 16, 17, 212, 2121, 21212, 2166, 222, 23, 23 32, 23.5, 24, 241, 2486, 26, 31, 32, 33, 333, 34, 40, 43, 44, 52, 54, 56, 56.5, 56.5, 58, 6, 64, 66, 66624, 7, 72, 76, 777, 79, 792, 86, 88, 9, 90, 92, 93.3, 7924 and 8642.

Glyphs for Malleus (hammer or disease), Calleum (heaven), Mille (vast number), and sound 'sa'

Glyphs for Malleus (hammer or disease), Caelum (heaven), Mille (vast number), and sound ‘sa’

Next the artwork is examined to see if any hieroglyphs can be found. Begin with the upper left Baal and find the Luwian/ Hittite symbols for Malleus, Caelum and Mille all joined. The first means a mallet or disease, the second means heaven, and the last which is doubled means a vast number. The image suggests then a disease from heaven in vast numbers or in modern terms: comets and meteorites.

Luwian glyph for Deus (god), glyph number 502, Ala (wing of army), sound ‘i’, and sound ‘sa’

Opposite this we find another Baal which is described by glyphs Caelum #182 (heaven) and the right side is a variation on Deus #360 (god). This symbol is very close to glyph #502 which has no meaning attached to it. The tail repeats the Mille glyph suggesting again a vast number. This is easily translated as ‘gods came from heaven’ and is just another way of saying in modern terms many powerful comets came.

Prophet Symbol

The sweeping tails of the central comet are the feathers on the head of the prophet glyph.

Wing symbol meaning troops – Ala 78

Beneath this in the upper right panel the idea is expounded upon. Glyph # 78 for ‘wing’ is an army wing or troops. It lies above a circle-dot. This suggests the two comets arrived with troops making craters.

Glyph for sound ‘i’

The upper left panel explains more. The first is the upright with the dot for sound ‘i’ found in glyph #209. The two connected circle-dots form two ‘sa’. This ‘sa-sa’ suggests repeated ‘s.’ This spells out i-s-s or the name of the Egyptian god Isis. But it also resembles two Anglo words, ice and sess. The first we understand and the second we hear in sis-ter. Sess is a seat. Ice-sess than implies an ice-seat and so we may hazard to guess that Isis is ‘ice-sess.’ These glyphs are followed by another circle-dot for another ‘sa’ such as we hear in ‘see.’ It is next to the glyph for Caelum or heaven which is connected to the comet or the central pole. Putting this together we have ‘the seat within the ice from which all heaven can be seen at the pole.’ This is the North Pole. A long distant ancestor tells us the meaning of a Goddess in a far distant land with symbols long forgotten and words we still use.

Luwian Glyphs for Halpa (help), sound ‘hwi’, Cornu (horn) or sound ‘su’, and sound ‘sa’

In the lower left panel find the glyph for ‘hwi’ #329 in the two twirls. The original way the word why was spelled was hwy. So it asks very clearly, “Why?” The symbol for Halpa or help lies above it which reiterates the exclamation. Towards the pole is the symbol for ‘sa’ #402. Above this is symbol #108 Cornu meaning a horn with sound ‘su’ probably meaning ‘to sow.’ The sequence suggests “Help! Why! A comet sown”

Glyphs for Lituus (a staff), sound ‘ha’ or ‘pa’, and Malus (evil))

The bottom right panel gives us once again the ‘sa’ for ‘see’ with Lituus #378, a staff. Then there is cross hatching which suggests glyph #224 with sounds ‘pa’ or ‘ha.’ ‘Pa’ begins the words pole, power, and post. While ‘ha’ is the Anglo word ‘heah’ which we know as high. The reversed 3 towards the edge is glyph #368 Malus or evil. Putting this together we have ‘to the seeing staff of the pole on high came evil.’

The image on The Wilmington Tablet is composed of many Luwian Hieroglyphs which tell a story.

This is the same message people on both sides of the world knew, understood, discussed and shared as revealed by their common knowledge of the subject, manner of depiction, and embedded numbers. They ask “Why! On high did this great evil come?”

This leaves the reader still wondering. Could it be? And where? Where is the evidence of this evil? But they tell us. Baal (Deus or god) struck at 56.5 as the Hebrew word for god, Yahweh, echos in its number gematria. Transcribing this word into numbers gives 5,6,5,10 or 56.5. Indeed, further still one must hear the word ‘why’ pronounced the original way ‘hwy’ in the word Yahweh when read left to right or backwards – hewhay.

But we need a second reference to find a location and this they provide. Recall in our prior number list (see Meigs Tablet and Kiefer Tablet) was the number 792 and this is the length of the diagonal of a square of sides 56. It also recalls the diameter of the Earth at 7920 miles. From the line of longitude of greatest displacement they traveled east 79.2 degrees and defined the zero longitude point at Greenwich, England at the same place it is today. This number of degrees was chosen to honor the diameter of the planet. So, reverse their journey! Travel back due west 79.2 degrees of longitude and find the home of Bi-Baal. The reader is encouraged to discover the place for himself. It is summed up by this pun: Holy Bible. Find the holy bible (hole lay bi-Baal) or the hole laid by two Baals.

More to learn about ourselves in upcoming posts.

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November 16, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Lakin A Tablet

The Lakin A Tablet is actually from Point Pleasant, WV near Lakin. The tablet was found by Everette W. Schwartz.

It is just as abstract as the Gaitskill Clay but because we have deciphered that tablet this is easily read. It is a more fluid and evil looking version. Indeed, the message it relates is of a monster that came to Earth and he is shown in the upper left with an angry scowl. His mirror image has been worn away in the upper right.

The central pole has an ominous look and the two feathers of the Prophet symbol #524 are dominant at the top. Thus we have a pole that ‘could tell all.’ At the bottom a small pole protrudes from mountain peaks. There are three peaks on each side for 33. Similarly, counting the 2 feathers at the top first and then the 3 mountains, and then repeating the count in reverse we obtain 23 32 for the latitude of the Arctic Circle which surrounds the pole.

Lakin A at Grave Creek Mound, Art from ancient Ohio

The power in the pole is contrasted by the orderly-disorder of the two mirrored panels. The multiple circles once again suggest a multitude of comet craters. The total count of circled dots is 8. The pole contains 6 slits. Combining these two numbers gives us 86 or a reminder of the diameter of the Sun at 864000 miles and the seconds in a day at 86400. Each side contains 4 circle-dots. Each group of slits contains 3. Combine these and obtain 43 which is another way they noted 86. Reverse the 43 and obtain 34. Recall 34 is twice 17 and that 90 – 34 is 56. The meaning of this important number we have yet to discuss but it has appeared on previously studied tablets. The 4 dots on each side creates 44. The two groups of 3 creates 33. All of these numbers we have seen before on other tablets.

Each group of slits can be counted as 3 or 1,2. This repeats lower giving us 33, 66 and 1212. These numbers we have seen before.

Symbol from Hittite Hieroglyphs called Sol or the Sun

Projecting out of the center of the pole on the right side but not found on the left are two distinct lines that represent ‘ra’ in the Luwian Glyphs. The central pole is definitely Sol in the glyphs or symbol #191. This small depiction of the glyph from the Mnamon web page mimics closely the design used in the tablet. No sound is associated with this glyph. We shall take the leap that it is ‘po’ or ‘pa’ since these are the initial sounds in pole, post, and power. Combining ‘ra, ra’ and ‘pa’ two words come easily to mind. Ra as in ‘ray’ of the Sun and the name of the Egyptian Sun God is one such word. The second is rope. Ropes have been historically used by surveyors. A rope is a unit of length of 66 feet or 792 inches which should look familiar to this tablet/number study. The idea that ‘ra rap’ (ray-rope) actually appears here is consistent with the idea that the pole is the seat of measure. (Note that the rope’s length in the English system of measure recalls both the velocity of the planet and its diameter.)

If the two sounds ra and pa are reversed, instead of obtaining rope we create ‘pair.’ In fact all navigation still to this day is based on a ‘pair’ of poles. The first pole is true north. The second pole is magnetic north. The suggested reading of these tablets is that they relate that the pole moved. Perhaps they had first hand knowledge of a shift of magnetic north away from true north and that the cause was a comet.

The hands of the Gaitskill Clay Tablet are here seen as eyes with eyebrows. They are the upper most circle-dot with 5 fingers. It might be fairer to say four of the lines are on the eyebrow and one projects straight off the circle-dot for a total of 5. Projecting from the lower side are 2 lines. This gives us 52 and 7. As in the Gaitskill Clay we note these represent days in a week and weeks in a year. If the brow is divided up into 1 and 4, we obtain both 14 and 241 which were found in the same position on the Gaitskill Clay and suggest numbers 56 and 58,000. The latter recalls Earth’s yearly orbit through the heavens of 584 million miles.

Glyphs for Prophet, ‘ra’, ‘ta’, and ‘ma’ sounds

Glyphs for Flame, Cornu or ‘su’, Via, Super, Heaven, and Deus or god

The circle-dot in the Luwian Glyphs represents the sound ‘sa’. The brow shape with the upward strokes is found in Glyph #172 and has sound ‘ta.’ ‘Ta-sa’ does not sound all that familiar yet it suggests the word ‘tease.’ In Anglo it was ‘teosu’ meaning harm. If the line off the circle which is not on the brow is interpreted, then we have ‘ra’. Pronouncing ta-sa-ra we have both the old and modern word tessera which is a tile (such as ceramic) or a grid square as found on a map, or as found in the object under examination! The upper circle-dot is connected to the next one and that provides the sound ‘sa’ again. What is tessera-sa? Tessarace. A tessarace is the summit of a four sided pyramid. The summit of the Earth once divided into mapped tiles is the North Pole.

On the left side of the lines joining the upper circles is a triangle. This appeared at the top of the Gaitskill Clay and is interpreted as a sword, or eye of Baal. The loop off the second circle that curls towards the pole is the symbol Super #70 which means above. Enclosed within the lines is Flammae (flame) symbol #477. The two curled tails off the eye-brow shape form the glyph #110 for ‘ma’. In Anglo ‘ma’ means ‘more.’ The half circles on the sides of the center pole also create the glyph #182 Caelum which means Heaven or #360 Deus which means god. These ideas complete the picture of a dangerous flaming comet above.

Location of Luwian (Hittite) Glyphs from ancient Turkey imbedded in art of Lakin A Tablet from ancient Ohio

The bottom left circle-dot gives 23 32 in the same manner as the Clay Tablet. It also shows 222. The lowest circle shows 4 lines as does the one above it. Recall a square of sides of 4 has a diagonal of 5.65. Both of the mirrored lowest circles are positioned at the base of the pole as if to strike there. Pausing to examine this lower set for expressed words we find ‘ra-ra’ and ‘sa-sa.’ Ra-ra suggests the words rear (raer) or roar (rar) in Anglo. While ‘sa-sa’ repeats the idea of ‘sess’ or seat. The two V lines also represent the glyph Via #221 and means ‘path to.’ Above the lowest circle-dot is an enclosed shape that represents glyph Cornu #108 which has sound ‘su’ and means horn. In Anglo ‘su’ means sow, to plant. This is all consistent with reading the circle-dots as a progressive story.

Reading the four circles from top to bottom then we have a large ‘harm,’ a comet, with two long flowing tails above flying through the ‘tiles’ of ‘heaven.’ It has ‘more’ wings or troops traveling with it. It is a flaming danger from above. It draws near where it is clearly seen to have two tails. It ‘roars’ toward the ‘seat.’ Where they ‘sow’ themselves. They strike at the ‘ray rope,’ the pole in the mountains.

This is an extremely complicated story which we are able to translate because of the years of labor done to decipher the 14th to 13th century BC Hittite documents of the Anatolian regions of Turkey. The Lakin A Tablet and the other Adena Tablets tell an extraordinary story of our history in the not too distant past during the age when ice laid over Canada and Ohio. It is from a time when Ohio first became inhabitable and adventurers came to see for themselves and exclaim in angst that it was true. Their eyewitness accounts pass through the ages to us. We have ears to listen but can we hear?

That Europeans were coming and going from this continent (and vice versa) is evident by the shared language, symbolism and measuring system. That we cannot comprehend how they could have measured longitude, latitude, and planets so accurately is not their error in understanding but ours. They cannot be made to be just ‘cavemen in the stone age’ just because we are grossly ignorant. After all, they are relating that the Earth was struck by an enormous comet. If a large comet struck us today, Walmart would be empty forever in a few hours. We too would be fashioning hammers from stones and making every effort to remember the diameter of the Sun and the Earth and telling wild myths to future generations of men who walked on the moon.

Yet to be reviewed are the stunning Wilmington and Cincinnati Tablets, the mysterious Bainbridge, and McKenzie Mound Tablets, the Ramey Peet Tablet from Cahokia Mound, the way too accurate Gridley Stone, the beautiful Ohio Adena Pipe now a Ohio State symbol, and the Hopewell Shaman – Bear. Many interesting posts are to come.

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Hudson Bay as a comet crater of recent origin.

October 5, 2014 by Gilgemesh

The Adena Tablets of Ancient Ohio – The Waverly Tablet

Art from ancient Ohio – The Waverly Tablet

The Waverly Tablet was created by an artist with a very skilled hand. The image is clear, sharp and symmetrical. It is located in the Cincinnati Art Museum.

The tablet displays the four panel style with the center bar which by now we understand immediately. In fact there is little about this tablet that the reader cannot discern for themselves. In the upper left Baal, the comet, appears in its two tailed form. The man seems to exclaim ‘oh’ or ‘no!’ upon seeing it. In this image his mouth forms the round empty crater. His face spells out wa-ur (where) just as in the Low Tablet. The pole is represented with a rounding at the top and bottom. The bottom gives a very definite negative shape like water waves or mountain peaks. I suggest it is the latter since the story relates to a prior era when great ice mountains laid over Ohio so heavily it was 800 feet lower in elevation and completely uninhabitable. It is also suggested by the name of the goddess Isis which was studied in Berlin Tablet post. There it was suggested Isis means ‘ice-sess’ or ‘ice-seat.’

On the right side there is disarray as two people ornately designed to double as flowers lie dead, shot through the head as if to say all was destroyed. The short bar at the top provides a sound. It appears to be symbol #383 or ‘ra’. The center bar is a form of ‘I’ and combining them we have the word ‘i-ra’ which remains unchanged through the centuries. It is ire or anger which is appropriate to the scene. Anger was clearly portrayed in the spider-like Gaitskill Tablet. ‘Ire’ also means to wander. So, it doubly suggests movement of the pole.

Numbers are supplied by punch marks and the four panel layout. We find 1, 4 provided by the layout and 4 x 14 = 56. In the top left panel there is 1 punch. The face panel provides 3, the upper right provides 2, and lower right provides 3 for a total of 9. This provides the 9 in 792. The two dots on the bar provide the 2. The remaining 7 are in the images. Hence, 792 is found.

On the left side between the upper-lower panels is a punch provided in the negative which allows 23 32 to be found on both halves. The short bar at the top provides 1, the bar 1 and the two dots complete 1,1,2. Each flower person provides 1,1,2 by using the dot, the head and then the two arms surrounding each head. If the bulb of the nose is counted as 1 then the left side provides 6 and the right side 5 for 56. The upper most center dot gives 1, the lower dot 1 and the sides of the bar gives 2 for 1,1,2 again or 2 x 56.

On the right side if the dots are counted left to right from top to bottom a group of 3 is found followed by 2. Reading from bottom to top there are 3 lines of 3 for 333. This number we have seen many times on the tablets. There are 9 distinct dots. If the nose and negative dot are added to the sum there are 11 or write this as 92. The latter suggests the distance Earth lies from the Sun. Or if you prefer 29 and this is half of 58. The distance Earth travels in a year is 584 million miles.

The Baal panel, upper left, seems to provide a line on the left which might have formed a dish or crater. This would have then given 1,1,2 as 1 crater, 1 eye, 2 tails.

The tablet measures 3 3/8 x 2 5/8 x 13/16 inches. The sum of the sides is 6 inches. The area of the face is then 8.86 sq. in. and a volume of 7.2 cubic inches. The product of 6 and 88 is 528. There are 5280 feet in a mile. The tenth mile appears at earthwork sites such as Newark. The diagonal calculates to 4.3 inches and twice this is 8.6.

These are all numbers we have seen before but their importance is contingent on the inch being in use by the artist. The ratio of the side lengths however eliminates units. The ratio is .777 which is significant.

Since this tablet portrays so many numbers it might be time to recall the number list and update it. The updated list includes: 108, 111, 112, 1212, 14, 16, 17, 212, 21212, 2166, 222, 23, 23 32, 23.5, 24, 241, 2486, 26, 31, 32, 33, 333, 34, 40, 43, 52, 54, 56, 56.5, 56.564, 58, 6, 66, 66624, 7, 72, 76, 777, 79, 792, 86, 88, 9, 90, 92, 93.3, 7924 and 8642. Now that they are getting easy to read let us try something a wee bit more complex.

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See David Penny’s Article on these stones here.

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December 29, 2013 by Gilgemesh

Ohh… Let It Not be True

Burks drawing of Newark Earthworks

The story Newark Earthworks relates is the historic tale of Beltane. We begin in the upper left of the layout with the circle, a comet Baal, which impacts with Earth represented by a square. The union of male and female occurs. The square rotates, shatters and a translation occurs. The story continues at the bottom right. The Earth is reformed with a scar. The Old Testament uses the symbolic number 6 for the length of this re-creation of the world. The Earth absorbs Baal represented by the bird within the Great Circle with its crescent as the crater. The Earth’s relationship with the Sun is represented by the square. Earth’s orbit is slightly oval. The square tells us this with its slightly out of square shape. We take our measurement of length from the Sun’s diameter. A mile is 1/864,000 of the Sun’s diameter. We take our measurement of time from the Sun. There are 86,400 seconds in a day. The square’s area echoes this value. The Earth travels about the Sun at 66,624 miles an hour as depicted by the angle of the Great Circle’s neck at 66.6 degrees.

Does the Decalogue Stone depict Baal and the Earth? By B.L. Freeborn, 2013.

This is the dreadful message of forgotten Beltane and the great religion of Baal. The Baalist’s left us a message in Ohio.

Front Face of Newark Decalogue Stone

Their minds were full of geometry, numbers and long ago calculated celestial values. They traveled the planet in their angst, their woe, over this event that destroyed all mankind. They were the last of the educated survivors of a prior civilization and their determination to preserve what mankind had attained scientifically prior to Baal’s destruction is at the root of our civilization today. This is an amazing story. It is the cosmology that we will rediscover because “the truth will out.” And once we understand it, the miracle and fortitude of life upon this planet will seem all the more wondrous. We can fancy that this debate over the Decalogue Stones will not die easily because some of the magic of the incantations written upon them call to us still today. We can hope that the prayers put into the mounds as they were built protect us still from the return of Baal. These Angle builders have new modern names: Luwian, Adena, Hopewell, Celts, Irish, Picts, English, Cherokee and many others. We have forgotten who they were. We are rediscovering what they preserved for us. Shamans of long ago teach us our forgotten worldwide heritage. They wove the message into the Earth for us to find. They created simple, straightforward images. This is a warning to value what is truly important and that we too can be knocked back into the stone age. This is our history. It recalls the day a great civilization ended and a scattered few survived to repopulate the world.

But we began with the debate over the Newark Decalogue Stones by questioning whether they are fake and if they are Jewish. Now we wonder if they are Baalist? Or are they Anglo? Were they left by visiting engineers? Did they belong to the High Shamans of the people who built the earthworks who were educated in surveying and of Baalist belief? We have explored these issues. It is time for a conclusion. Here are three images to help one form an opinion. The image above lies hidden in the Decalogue Stone. The next is Squier’s detail of the Great Circle and the last is from NASA. Their art reveals they had an excellent understanding of what transpired. They spelled it out for us in every manner possible. Can we grasp the horror of it all?

NASA image of crater

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December 15, 2013 by Gilgemesh

Thence Came Baal

Baal, a Statute from Ugarit.14th to 12th BC. Louvre, Wikipedia.

Beltane and Baal, are they related? It has already been proposed that they are. The scant information on Beltane suggests it involved building bonfires, the union of male and female, fertility, and the maypole. The maypole ceremony involves weaving long ribbons around a large pole held vertically. This idea is usually interpreted in the classic phallic manner. Yet, we might travel further in our understanding of the ancient world if we broaden our minds a bit. Can we not represent the north pole as a vertically held pole? Do not the lines of longitude project out from the pole in the same manner as the ribbons on the maypole? Certainly then, the object of weaving the lines about the pole is to remind us that lines of longitude and latitude are measured from this central point. This concept can be found not only in the Cuneiform records but it can also be found in Native American lore, just as the Noah story appears in both places. It is a relatively easy concept to understand but twice as easy to misunderstand if one has never been taught about longitude and latitude. It was simple then to relegate the maypole to a sanitized sexual symbol.

The word Beltane conjures up the image of a bell. While the word Baal brings to mind a ball which is reinforced by images such as we see in this Baal-Ugarit Statue. Yet these images converge if we picture that a fiery ball might appear as a bell and indeed, in Old English, a baelfire is a funerary pyre. What possible connection can there be between a maypole and a ball-fire? This is one facet of the story Newark might help answer.

Circle and Octagon of Newark, Ohio Earthworks portrayed as a circle joining with a square.

The pieces of Beltane we are left with is the concept of male, female and fertility. Since it is a spring festival we might assume these latter parts are all self-explanatory but we can take them another way as well. We look directly at Newark now and see that Baal, Bael, can be described by the circle which leaves the square as its counterpart. So then, in the circle-square we have the union of male and female which is indicated by the circle-octagon with the neck between them. Let us say the circle impacts with the square and causes it to rotate. There are two identical squares within the Octagon which are rotated. Let us say that the union is so abrupt and intense that the square breaks outwards. It is shattered and torn. The Old English word for torn is teon which is of course derived from the number ten and our fingers. Our ten fingers are used to tear apart. Hence, ten becomes teon. Now we have a better understanding of the word Beltane. It is Baal-teon which is then correctly illustrated here. Baal has impacted with the square which we may assume is Earth and it is torn apart. The image of Newark explains the effect of the impact is not only a rotation but a shattering. The images further relate a shift occurred which is portrayed to us by the translation of the two images across the plane equidistantly 6 diameters or 1.2 miles which echoes the statement “the earth was created in 6 days.

Circle and Octagon translate 6 OCD across plane to become circle and square. Drawing by B.L. Freeborn.

Right side of Newark Earthworks taken from Burks drawing.

We can then postulate that the three images on the right indicate the condition of Earth after meeting Baal, its new relationship to the Sun, and an oval which we do not understand as of yet. The Great Circle as the Earth indicates the distance it travels in a year, the length of its day, and its velocity via the numbers 580, 1200 x 2, and 66.6. But we need to interpret the steeply formed neck, the bird, and the crescent in relation to the circle. The answer is supplied by the artifacts which have been found: balls, crescents and meteoric iron. In fact, there is another clue supplied in an article by Romain.¹ The Great Serpent Mound is built very near the Serpent Mound Impact Crater in southern Ohio. The .8 mile diameter crater was caused by a meteor impact between (we are told) 256 and 330 million years ago. All things considered it would seem then that the “bird” within the Great Circle is a meteor and the steeply formed neck is its impact site into the Earth. The crescent below the bird then is its crater driven deep into Earth. This suggests more than a passing understanding of the formation of craters such as the one found in southern Ohio.

Moving to the second of the earthworks on the right side we have a square. This exhibits measurements present in Earth’s orbit. The square as a symbol of measurement is found identically in Olmec art and Assyrian art.² It is presented in Egyptian art and identically in Sumerian art. The square is the foundation of measurement. We can see this for ourselves on any map that shows longitude and latitude. The lines form squares.

This leaves us once again at the Oval where we remain perplexed for just a wee longer.

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References/Footnotes:

Romain, William F., Ph.D., LiDAR Views of the Serpent Mound Impact Crater, “Ohio Archaeological Council,” January 2012. See: http://www.ohioarchaeology.org/joomla/index.php?option=com_content&task=view&id=361&Itemid=32
Freeborn, B.L., “The Odd Little Purse in Olmec and Assyrian Art.” See: https://noahsage.com/2013/02/17/the-odd-little-purse-in-olmec-and-assyrian-art/
Baal Image: Wikipedia, Jastrow, PD. http://en.wikipedia.org/wiki/File:Baal_Ugarit_Louvre_AO17330.jpg

July 3, 2013 by Gilgemesh

Translating Knowth Kerbstone 5

Kerbstone 5 from Knowth, Ireland

Kerbstone K5 is simple, straightforward and powerful in its message. Reading the large image left to right we have a symbol for longitude or a line which hugs the planet in a U shape and runs vertically. (In this case, it is shown horizontally.) In the middle of this U is a bar or a pole and surely, longitude wraps around the planet beginning and ending at the pole.

Next, just to the lower right of this we have a small round circle within a circle. A comet on collision course with the planet? The inner circle is the eye and the surrounding circle is the coma. The artist attempts to depict by its placement an impact near the pole. The planet is turned by the impact as noted by the swirl image and we see in the final image that it is shaken and the lines of longitude are changed.

In the upper right corner are 6 circles. The fifth from the right is different from the others. So we have 5 and 6 for the 56 we expect to see.

On the left face of the stone is an image for longitude, pole and latitude; or for cup, pole and crater. The top face has the turn symbol again.

This stone is a picture of an event rather than a mathematical message. It reinforces the message we saw in the last post about Kerbstone 93.

This is all a part of the mystery and the ultimate purpose for Knowth. It assures us that we will come to knowth the truth.

The last stone to be studied is the enigmatic kerbstone 52 from Newgrange and its exquisite art.

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July 2, 2013 by Gilgemesh

A Simply Beautiful Mystery

Newgrange, Ireland. Kerbstone 52.

Newgrange kerbstone 52 is a beautiful mathematical message as well as a depiction of an event. The left side of the stone depicts the number 56 twice as shown. This simple number, 56, has a way of appearing at all these ancient sites. The right side has three bold ovals each containing three dots which creates the number 33.3. This number is also part of this mystery.

These three bold ovals contain two triangles (or arrows) each and three dots. Three ovals, 9 dots, and 6 arrows creates the number 396. The radius of the Earth is 3960 miles. Its diameter is then 7920 miles.

Notice the place marked in the sketch as magnetic north. The pattern depicted between the two ovals is what appears when a piece of paper is sprinkled with iron filings and a magnet is placed beneath it. So they indicate magnetic north by this realistic depiction. We may understand the two adjoining ovals to be the two hemispheres of the Earth shown joined at the pole. Note the bold dot directly below this point. We may speculate that an object moves towards earth. It draws closer and a coma or tail forms. They depict an impact at the pole as was suggested by art on other kerbstones.

This drawing however goes further. They are suggesting by the ornate pattern multiple impacts. Now we may interpret the 3 bold ovals as impact sites with multiple impacts within each site. The petal style then portrays impact ejecta that fanned out from the initial craters wrecking maximum havoc.

Or perhaps we should interpret it such that previously there was one Arctic Circle as shown in the bottom right which became two! – two places to measure from as in magnetic north and true north!

Impossible! Not a believer?

Delve into more posts and then decide.

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October 4, 2012 by Gilgemesh

Re-writing English History while Solving the Sator-Rotas, Part II

– B. L. Freeborn (c) Oct. 2012 -last updated Sept. 2022

We have been discussing the Sator-Rotas and how it changes our understanding of the English language.

Curiosity piqued? Must we toss out all the history books?

Link to full article.

Perhaps our understanding can be improved by looking at the numbers. They have not all been sought out.

Let us continue…Alas, there are many numbers. If you dread them more than the pox skip to the bottom.

We repeat for ease of study…

Sator-Rotas

Numbers:

A = 70

E = 1

R = 200

S = 60

T = 9

P = 80

N = 50 but if it considered to be a Hebrew Alef then = 1

O = 6

Center number is both 1 (Hebrew Alef = 1) and N = 50 which sums to 51….. 51

S A T O R 60 70 9 6 200

A R E P O 70 200 1 80 6

T E N E T 9 1 50/1 1 9

O P E R A 6 80 1 200 70

R O T A S 200 6 9 70 60

Significant numbers are on the right side.

T, E = 9 + 1= 10

4 x ten = 4 x 10 = 40

10 x 4 = 40 and……………………………..40² + 40² = 56.56²

56 refers to their secret

Corner letters are S = 60…………………………. 60

Minutes in an hour

2 x 60 = 120………………………………………… 12

Signs of the Zodiac

R = 200 and 2 R’s = 400……………………….. 400

Ratio of Diameter of Moon/Sun

Four T’s of 9 = 4 x 9 = 36…………………….. 3600

Seconds in an hour

Four A’s of 70 = 4 x 70 = 280 and 280 x 2 = 560

Refers to their secret

Four O’s 4 x 6 = 24………………………………….. 24

Hours in a day

A T = 70 + 9 = 79…………………………………….7920

Diameter of Earth

A R E = 70 + 200 + 1 = 271…………………….. 271

Circumference of Sun

RA in four places = 200 + 70 = 270……………. 270

Circumference of Sun

ENE (in middle) 1 + 50 + 1 = 52………………. 52

Weeks in a year

PR (in two corners) = 80 + 200 = 280, 280 x 2 = 560……

Their secret

PO in four places = 80 + 6 = 86…………………… 86

Gematria of Elohim and Diameter of the Sun

OPO in two places = 6 + 80 + 6 = 92…………… 92

Distance of Earth to Sun

Two corners of RSAA 200 + 70 + 70 + 60 = 400

Ratio of distance Earth to Moon / Earth to Sun

Two corners of OPOR = 6 + 80 + 6 + 200 = 292 times 2 = 584

Circumference of Earth’s orbit around the Sun

All four corners = RRSS = 200 + 200 + 60 + 60 = 520… 52

Weeks in a year

Center ring of 8 letters:

REPEREPE = 200 + 1 + 80 + 1 + 200 + 1 + 80 + 1 = 564 +

(center as 1) + 1 = 565………….. 565

Their secret about the reaper.

Sum of 16 exterior letters: SATOROTASATOROTA

60+70+9+6+200+6+9+70+60+70+9+6+200+6+9+70 = 860……860

Diameter of the Sun

Sum of first / last row: SATOR = 345……………………………………………. 345

345 x 2 = 690 or 69……………….. 69

345 = 18.57²

345² + 345² = 238,050

345 = Gematria Value of Moses,

69 = approximate distance between two degrees of longitude,

18.57 = diameter of Earth’s orbit,

238000 distance between Earth and Moon

Sum of second /fourth row: AREPO = 357……357² + 357² = 254,900

Distance between Earth and Moon

Sum of middle row: TENET = 70………..(if N = 50)……………………… 70

Approximate distance between two degrees of longitude

Sum of entire square = 345 + 357 + 70 + 357 + 345 = 1474

1474 = 79.2 x 18.6

Diameter of Earth x diameter of Earth’s orbit.

Let O’s = zero = 0 then…

Sum is = 1450, 1450 x 4 = 5800 or 58…………………………….. 58

Gematria of Noah and circumference of Earth’s orbit

16 exterior letters…………………. 16

Earth moves 1.6 million miles per day

Diagonal SRNRS sums to 570

Number of degrees in one radian is 57.29

And who is the author of this ancient puzzle? Whose secret message was this?

English is the modern way of saying Engle, Anglo, or Angle. And how does one determine latitude? Do we not take a measurement in degrees off the Sun? Do we not measure its angle? Perhaps we should call the Sun – Ra and measure its rays? We can deduce that the puzzle is the work of: an Anglo, who knew Hebrew numbers and letters, the Latin Alphabet, and key astronomical values. The author was also initiated into the secrets of the Anglos, Egyptians and the Hebrews.

And so we come to understand the very beginnings of the English language. We now know a little more about who spoke it, when they spoke it, and where the word Anglo for English comes from. We can also date the use of Greenwich as the zero longitude line to the early days of the Christian era or before.

A new understanding is revealed so neatly by a little puzzle!

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September 5, 2012 by Gilgemesh

Skewed Beauty or Skewed Radio-Carbon Dating?

– B.L. Freeborn, (c) September 2012. (updated Nov. 2018)

Image copyright H. Jensen / Universität Tübingen
Image not in Public Domain

Venus von Willendorf, Naturhistorisches Museum Wien, by Oke, Wikipedia

Vénus gravettienne de Savignano, Musée Pigorini de Rome, photo by Vincent Mourre

Are these figurines, as archaeologists would have us believe, ancient man’s idea of female beauty? Other explanations suggest that women suffered from deformities and illnesses.

I am going to offer up an explanation that is unique. But before we step out of the box and think creatively let us recap what the academics tell us.

The Venus Figurines are usually headless, arm-less, feet-less images of rotund, deformed females. Specimens are modest in size ranging from an inch to ten inches in height. They have been found mostly in Europe but with finds as distant as Irutsk Oblast in Siberia. Notable specimens are dated as follows (per Wikipedia):

Venus of Hohle Fels, 35-40 thousand years from Swabian Alb, Germany;
Venus of Galgenberg, 30 thousand years from Lower Austria;
Venus of Dolni Vestonice, 27-31 thousand from Moravia, Czech Republic;
Venus of Lespuque, 24-26 thousand from French Pyrenees;
Venus of Willendorf, 24-26 thousand from Lower Austria;
Venus of Mal’ta, 23 thousand from Irkutsk Oblast, Russia;
Venus of Moravany, 23 thousand from Moravany nad Vahom, Slovakia;
Venus of Brassempouy, 22 thousand from Aquitaine, France;
Venus of Laussel, 20 thousand from Dordogne, France;
Venus figures of Gonnersdorf, 11, 5-15 thousand from Germany;
Venus of Monruz, 11 thousand from Switzerland.

Venus of Brassempouy, located in Musée d’archéologie nationale Height: 1.4 in.

These are all classed as Venus figurines yet there are three distinct styles. We might say they can be divided into three groups: obese-decapitated, elegant realistic, and modern art. Most of the list is of the first type. Brassempouy is delicate and realistic while the Gonnersdorf are sweeping curves as found in modern art. The academics say they span a period of 35,000 years. Most falling in the range of 35 to 11,000 years ago.

Venus Vestonicka, photo by Petr Novák, Wikipedia

Is it likely that this strange style of art was repeated for a period of 24,000 years? Or is it more likely the time span of this art was much more narrow? What could cause radio-carbon dates to be in error?

Radiocarbon dating is based on the steady rate of formation and then decay of carbon-14. To skew the results there had to have been changes in the Earth’s magnetosphere, cosmic ray input and/or climate. This would vary the results for a small time event window by 10’s of thousands of years. What could disturb the Earth so greatly that the amount of carbon-14 laid down in layers over the ages is stirred up over a vast area?

Would there not be large variations in carbon-14 if the Earth went through a violent deformation and reformation? Would this not cause climate changes? If these changes occurred concurrent to the period of time in which these images were carved, would the dates not vary?

Replica of the Venus of Lespugue, carved from tusk ivory (Gravettian, Upper Paleolithic), Musée de L’Homme, France, by José-Manuel Benito

So if they are not fat, distorted women, what are they?

Perhaps they are images of large comets impacting with Earth which would have caused tremendous disturbances in the planet’s magnetosphere, cosmic ray influx, and layers of sedimentary material. In other words, two large comets impacted and caused a re-shaping of the planet.

I will let the images and sketches tell the rest of the story.

Large comet has fractured and is approaching Earth.

Comet has impacted with Earth.

Earth after Comet Impact.

Details of Impacts Displayed in Venus Images

A Comet Impacts with Earth

The distorted images of women found in these objects of art are a unique way of preserving the story for future generations. Following the impact, survivors in Europe fanned out and educated the rag-tag remnants of mankind. As they traveled they left these hand-carved images behind. These are images of Earth’s past and the day when all but a few of mankind escaped annihilation.

Most likely carved and used during a narrow band of time, say a couple of hundred years at most, the Venus Figurines give us feedback on the accuracy of radio-carbon dating. They point out the carbon dating of objects without knowledge of prevailing geological conditions may cause gross error in understanding.

Were these images carved by direct descendants of the apocalypse of which we are the survivors?

Other ancient records support this idea of a double comet as seen in future posts.

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Is an old mystery. We are about to look at it from a whole new angle.

Tag Archives: Comet Impact

The Adena Tablets of Ancient Ohio – The Wilmington Tablet

The Adena Tablets of Ancient Ohio – The Lakin A Tablet

The Adena Tablets of Ancient Ohio – The Waverly Tablet

Ohh… Let It Not be True

Thence Came Baal

Translating Knowth Kerbstone 5

A Simply Beautiful Mystery

Re-writing English History while Solving the Sator-Rotas, Part II

Skewed Beauty or Skewed Radio-Carbon Dating?